Sunday, April 14, 2013
Simon & Schuster Books for Young Readers, 2007
3 out of 5 stars
Publisher Summary: Sara wants to be famous, and when legendary rock star Jonathon Heat offers to take her under his wing and pay for her cosmetic surgery, it's like a dream come true. But beauty comes with a hidden price tag. Is Sara willing to pay?
My Review: Strange book. Written partly as a faux-true crime book, Sara's Face is about Jonathan Heat (a Michael Jackson expy if ever there was one, with a dash of Bowie for good measure) and a teenager named Sara, who has a tenuous grip on reality, a manipulative streak, destructive tendencies, and a deep dislike of her own appearance. Bad combination. From the start of the book, the reader knows that something terrible will happen, but not the specifics. I think that's supposed to add tension and mystery, and it does, to a degree, but it's so plainly obvious what will happen that it's only the how and the why that remains mysterious. Luckily, the concept alone is hair-raising enough and the personalities of Sara and Heat both so morbidly fascinating that it remains a creepy page-turner.
I do like the idea of a novel written in the style of true crime, but sadly, Burgess doesn't stick with it. He includes far too many specific conversations (nonfiction would have the basic gist of the conversation, with maybe a few specific lines) and sometimes includes Sara's (very detailed) thoughts at exact moments when he would have no way of knowing exactly what she'd seen, thought, and felt. Sticking with the true crime novel would have cut some scenes that he was obviously very fond of, but it would have made a better book. In fact, the parts of the book that stick most closely to the true crime style are the best by far.
Of course, the basic premise is far fetched enough that I considered marking this book science fiction. Or fantasy, since the book hints at supernatural elements in a very underdeveloped way. There are a lot of unanswered questions, which is intentional, but it didn't feel necessary to me.
I have to make note of a scene that happens at the beginning of the book that really took me aback. At Sara's high school, there's a gang of boys who regularly drag girls into a bathroom to feel them up. When they do this to Sara, she calls the police, the local news station, and informs the school. My personal reaction is to be proud of her and cheer her on in this. So when the narrative voice dismisses this as just more of her attention seeking behavior, I'm honestly stunned. Wow, really? Now, because of the style of the book, there's the question of whether the narrative voice reflects the author's voice, so I can't necessarily blame Burgess entirely for this. But it was offensive (if not exactly surprising) for me to read.
I do sometimes like books that experiment with style, and I love a good, creepy read, but Sara's Face fell a little flat for me.
Also reviewed at Goodreads.
Devil in a Blue Dress
Originally published 1990,
Republished 2002 by Washington Square Press
Price: Free at the public library
Rating: Four out of five easy stars
Recommended for: fans of detective noir
If you don't immediately start humming the song when you see this title, play it while you read. It is a classic:
Easy Rawlins is just trying to get by. Laid off from his job building jets, he needs to make payment on his mortgage or face the loss of his house.
Drowning his woes at a tiny bar above a meatpacking warehouse, his friend and bar owner Joppy hooks him up with DeWitt Albright. Easy can't help but notice that Joppy, an ex-heavyweight fighter, is nervous, a sure tip-off there's something wrong. But Dewitt's a businessman with a simple job for Easy-- he offers him a hundred dollars to find a white girl known to hang out in the African-American community. In 1948, that's more than a couple mortgage payments to tide Easy over while he looks for his next job.
"'And just exactly what kind of business is it he does? I mean, is he a shirt salesman or what?'
'They gotta sayin' for his line'a work, Ease.'
'Whatever the market can bear.' He smiled, looking like a hungry bear himself. 'Whatever the market can bear.'
Dewitt shows Easy a picture of the missing girl. Originally black and white, it's been touched up in color. "After staring at her a full minute I decided that she'd be worth looking for if you could get her to smile at you that way."
Everybody's seen her but no one wants to say where she is unless they get a piece of the action. Unfortunately, the devil has a blue dress, no doubt, and she seeds a trail of destruction in her wake. Part of the reason she breathes scandal is that her relationships transcend race, taboo at the time. Part of the reason is that the crowd she runs with includes pimps and underworld businessmen.
Soon the bodies start piling up, and the cops haul Easy in. But Easy fought in World War II, and if there is one thing he can't tolerate, it is disrespect. He decides to take control of the situation instead of letting himself be played.
"Somewhere along the way I had developed the feeling that I wasn't going to outlive the adventure I was having. There was no way out but to run, and I couldn't run, so I decided to milk all those white people for all the money they'd let go of."
His detective work takes him around various hangouts in L.A, including Ricardo's, a rough bar that you don't go into without an inside man. "Joppy had taken me to Ricardo's a few times after we locked up his bar. It was a serious kind of place peopled with jaundice-eyed bad men who smoked and drank heavily while they waited for a crime they could commit." Unsuccessful, he heads for a cut at the local barbershop, sure source of news and a neutral zone in the black community.
Devil in a Blue Dress won Moseley the Shamus award for first PI mystery, and it is easy (ha-ha) to see why. Succinct but encompassing descriptions that create a feel for L.A., the mood of post-WWII America, and an even better sense of what it felt like to be poor and black with the deck stacked against you. The experience of race weaves in and out of the storyline without being dominating or self-pitying, and has all the more impact for being so dispassionate. It affects Easy's life in so very many ways that it is an indirect commentary on race relations in the late 40s. The dialect has the flavor of Easy's southern heritage, contrasting with the more crisp language in his head. It makes for a nice reading balance, as it can be a reading challenge when dialect used for an entire book. This was an enjoyable, fast moving story that put Mosley on my authors-to-watch list.
Four easy stars.
And, of course, there's the movie.
Also published at Goodreads and http://clsiewert.wordpress.com