Sunday, March 2, 2014

Mmm, seafood!

A. Lee Martinez
Orbit 2012

Reviewed by Carol
 ★   ★   ★   ★

It’s been a stressful month and I’ve had a challenging time finishing the ‘serious’ books malingering on my shelf. I recently picked up my Kindle (after charging it–I really prefer paper) and discovered this little gem hidden near the end of my title list, one of those bargain purchases I was saving for a rainy day. Or snowy day. Whichever–I think we’re going to have both tomorrow–thunderstorms and eventual snow. At any rate, I rather enjoy A. Lee Martinez’ books, but I recognize they work best for a certain kind of mood, the mood that wants fun, clever, and even silly, with feel-good endings. Emperor Mollusk perfectly fit my mood, and to my surprised, proved almost impossible to put down. Think every sci-fi/horror pulpy trope of the 1960s. They’re here, and they’re hysterical. But what’s even better is that Martinez takes this beyond parody by exploring evil, ethics and science through very human inhuman characters.

Poor (former) Emperor Mollusk. He’s been exiled from his native watery planet of Neptune, Saturnites hate him, andthe Venusians had had it in for me since I’d tried to conquer their planet after falling short on Neptune. I hadn’t really come close to subjugating Venus. Only claimed a couple of continents for a few weeks. No reason they shouldn’t have been over that by now.Luckily, he conquered Earth Terra, so he still has somewhere to live. But even an Emperor of a world can get a little dull after you’ve solved a few of humanity’s larger problems.

He’s trying to back down from the emperor thing and live a quiet life pursing his scientific research. He’s on a grocery store run when his reptilian Venusian arch-enemy arrives, Commander Zala. She wants to take him into protective custody, much to his surprise (he was expecting her to ‘bring him to justice’).  Venusian intelligence has discovered a plot to assassinate Mollusk, and she considers it her duty to protect him until he is legally sentenced to death in Venusian court. Mollusk has no intention of going to Venus just to avoid another minor assassination attempt, so Zala assigns herself and her team as his bodyguards. The first attempt comes at his townhouse, and Mollusk, Zala and Mollusk’s faithful pet ultrapede (evil geniuses need disgusting pets) are soon investigating a trail of sinister clues that take them through classic B-movie sets as they seek to uncover the assassin and foil his sinister plot to rule the universe.

While under normal circumstances, challenging the space-time continuum sounded like fun, I had a planet to save.”

Mollusk represents the ultimate in the scientific pursuit of information. Unfortunately, he occasionally displays a notable lack of judgement:

I also thought storing my most dangerous technology on a dimensionally unstable island full of mutant dinosaurs would be safe. Much as it pains me to admit it, I do make my share of mistakes.

Emperor Mollusk essentially follows a linear time frame, but does have a few interludes from his past that give a little insight into his complex character. Martinez achieves a perfect first-person narrative voice–dry, analytical and amazingly egocentric, he achieves a perfectly believable arch-villain. However, he’s also somewhat sympathetic, through a very dry sense of humor and an awareness of his social failings.  He is not entirely sure how to compensate, despite his formidable brain. Still, he’s glad of Zala’s company, even if he doesn’t trust her:
 “In a chaotic equation, she was among the constants. It was nice to have something to rely on.”

Martinez does a nice job of playing with the conventions of sci-fi/hero movies, giving them a broad wink in his writing:

‘It’s a plan,’ I said. ‘Just not a very good one. If you have a better one, please share it.’
Zala’s feathers ruffled. She waved her arms in a sweeping gesture around the lab. ‘Use this. Do something. Notice some tiny detail. Jump to some ridiculous conclusion. Do what you do, Emperor.’

There’s load of clever wordplay, often based on the absurdity of the set-up:

He turned and led us to our suite. The unspoken understanding was that none of this was free, but a cephalopod of refinement didn’t comment on such things.”

“‘It’s an interesting theory,’ she agreed, ‘but there’s an old Venusian adage. ‘The hungriest clug can eat frot-shaped stones all day.’
‘I’m familiar with the expression.’
‘Then I trust I don’t have to explain it to you. Seeing as how you are so much smarter than I.’”

Giggle. Yes, it’s a variety of parody. But it’s elevated above simple mocking by heart, fun characterization, and an anti-buddy antagonist coupling that was fun to watch. And, I shudder to admit it, but I rather liked the ultrapede and her tendency to shriek with enthusiasm. Martinez surprised me with what he did, and I ended up devouring the book in a day. Consider it highly recommended, with the caveat that it be read with tongue firmly in cheek.

The denouement, like all super-villain plots, was needlessly complicated, but Martinez completely make me laugh out loud with the sidekick summation:

[for heaven's sake, people, SPOILER!]

You were tricking them into thinking they were tricking you into thinking you were tricking them into tricking you?

cross posted at


by Ellen Hopkins

Four out of five stars
Reviewed by Sesana

Publisher Summary:

Everyone has something, someone, somewhere else that they’d rather be. For four high-school seniors, their goals of perfection are just as different as the paths they take to get there.
Cara’s parents’ unrealistic expectations have already sent her twin brother Conner spiraling toward suicide. For her, perfect means rejecting their ideals to take a chance on a new kind of love. Kendra covets the perfect face and body—no matter what surgeries and drugs she needs to get there. To score his perfect home run—on the field and off—Sean will sacrifice more than he can ever win back. And Andre realizes that to follow his heart and achieve his perfect performance, he’ll be living a life his ancestors would never understand.
Everyone wants to be perfect, but when perfection loses its meaning, how far will you go? What would you give up to be perfect?

My Review:

Maybe the first thing I should note about Perfect is that even though it's a sequel to Impulse, you wouldn't have to have actually read Impulse to be able to follow the action. Basically, the action in this book is happening at the same time as the action in Impulse, tied because one of the characters in Perfect (Cara) is the sister of one of the characters in Impulse (Conner). The crossovers are few and far between, and there's enough background here to understand what happened there. That's lucky, in some ways, because I didn't like Impulse, and this was a big improvement for me. I do think that Hopkins's writing has steadily improved over the course of her career, a little better with each book. The thread that tied all of these stories together is a little thinner than in some of her other books, but certainly closer than in Tilt. The one thing all four of her viewpoint characters have in common is that they're being pressured to be perfect, by their parents, by themselves, or both. We have two guys and two girls, Cara, Sean, Kendra, and Andre.

I wasn't surprised to find myself most riveted by Cara and Kendra. Cara is the one that I have the most hope for. Watching her break out of the shell her parents (especially her mother) have built for her was really nice to see, and I liked her romance with Dani. Kendra's story was sort of like watching a car crash in slow motion. And I think the worst of it was that the crash isn't over at the end of the book. Kendra hasn't entirely faced that she has an eating disorder, and neither has her family. And she hasn't yet realized that her new agent is taking advantage of her. I wish at least some of this had happened in the book, even if the dust hadn't entirely settled. I just hated putting the book down with Kendra still where she was. Cara isn't optimistic about her future, and neither am I, but I still would have liked to have a better idea.

Sean's narration could be tough to read, because we're watching him on a serious downward spiral. He's also the one character that I just couldn't connect with at all. He seemed toxic at the beginning, and I have no faith that he'll be any less toxic in the future. Andre, though... Well, I liked him, and I could understand him. But his story was less about him and more about his relationship with Jenna, Kendra's self-destructive sister. And I didn't at all enjoy watching Jenna implode. Still, I can't really complain about their voices, or the believability of their stories. I just didn't really care for following them.

This isn't the best thing that Hopkins has ever put out. But it is an improvement over Impulse, and it's a good sequel to that book. I get the feeling that there could be yet another book in this series, and I don't know how I feel about that. Maybe if Hopkins would stick to fewer viewpoints, it would be easier for her to finish out a story in one book.