Monday, October 13, 2014

A Tempestuous Introduction to The Tempest

The TempestThe Tempest by William Shakespeare
Reviewed by Jason Koivu
My rating: 3 of 5 stars

What was that?

I expected a long drawn out battle of mariners versus a violent sea. There's a few lines of sailors fighting a storm at the start and then the rest is played out on land. Ah, "played," there's the nub! For this is an early 17th century play meant for the stage. Not a likely time and place for a lavish production with a water tank, ship and wind machine, though that would've been hella cool. Some Shakespeareanophile tell me my envisioned production went down at least once back in the day, please!

Once I figured out I'd been duped, I still didn't know what was going on. The story felt muddled and frankly not particularly intriguing. Apparently an Italian duke is trying to trying to get revenge on those who ousted him by marrying off his daughter to one of the plotters. That I understood. To make this happen, magical spirits are prevailed upon. That I understood. But who was magical, who was human, who was in between, and what was everyone's motivation, that's where I got lost.

Didn't matter. By the midpoint I'd grasped enough to follow along and what I thought was going to be a 1 or 2 star catastrophe turned out to be a fairly enjoyable romp in a semi-fairy land...kind of a mix between Macbeth or Othello and A Midsummer Night's Dream.

I listened to an audio version for this reading. I prefer to hear Shakespeare when I get the chance. I may have received a 4.0 in my Shakespeare class in college (a little more impressive than my 4.0 in my mountain hiking class), but that doesn't mean I understand half of what's being said. Put into context, the otherwise archaic phrases often will reveal their meaning.

The one thing that really perplexed me was that the actor playing Caliban, the monstrous humanoid creature stranded for years on the island, played him - as old timey, racist comedians (and Jon Stewart) would say - "Jewy". Think Alec Guinness' rendition of Fagin. Yeah, heavily over the top. Was Caliban Jewish? I thought his mom - the only person he was stranded on the island with - was a witch from Algiers. Now, I don't know from Algiers witches, but this? What is this? Oy vey...


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Gotta love the old-school dash!

The Adventures of Sherlock Holmes (Sherlock Holmes, #3)The Adventures of Sherlock Holmes by Arthur Conan Doyle
Jason Koivu
My rating: 5 of 5 stars



Arthur Conan Doyle created such an intriguing vehicle for his mystery stories in the figure of Sherlock Holmes, a man almost inhuman, nearly robotic in his exacting speech and actions, so much so that the reader longs for and grasps on to the minute human aspects (a hint of carnal desire, for example) on the fleeting instances they appear.

In story after tightly-wound story intelligence and rational thought wins the day. But before it gets all too academic, Conan Doyle throws in a bit of action, some good old fashioned horror or a grotesque morsel for the reader to chew on, for he realized man can not be sustained on thought alone.

Taken on their own, each short story in this collection would receive 3 or 4 stars, but put them together and you've got a 5 star body of work. A lone stick breaks easily, but bundled together the sticks form a strong bond. Case after solved case impresses with its almost overwhelming accumulation of ingenuity. The character of Holmes eventually develops with nuggets of personal detail and, on rare occasion, even a display of pathos.


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Friday, October 10, 2014

If There's A Heaven Above

Andrew Demcak
JMS Books
Reviewed by Nancy
2 out of 5 stars



Summary


It's the early 1980's and Matt is on the cusp of adulthood in the flickering shadows of Los Angeles' Gothic music scene. He dives into a pulsating world of death-rock music, sexy musicians, and strung-out groupies in leather bondage pants and vampire makeup. Through the faded glamour and glittering whirlpool of alcohol and drugs, Matt moves from one good time to the next, searching for something more.

Then he meets Patch: shirtless, tribal-tattooed, wearing cut-off jean shorts still damp from an afternoon at the beach. Patch is a punk-rock Adonis who wears his dark hair spiked up and whose blue eyes are bloodshot from too much late-night fun. Patch doesn’t say much when they first meet, but his body speaks to Matt’s on a cellular level, pure chemistry. To Matt, Patch's tattoos tell him they are part of an invisible tribe, the night people.

But one night is all Matt gets with Patch before he disappears into the neon-washed streets. Matt sets out to find him again, sure Patch is "the One." Along for the ride are his friends Annie and Suzy, one straight, one gay. Wearing too much Aqua-Net and torn fishnets, the girls cruise L.A. in a white Mustang whose seat belts are perfect beer bottle openers. The ultimate Goths, they adore Siouxsie and the Banshees, paint their eyes with kohl, and vow to help Matt in his quest to hook up with Patch.

Will Matt be able to find Patch in L.A.'s drug-soaked clubs? Will one night be all he gets with the man of his dreams? If there's a heaven above, will Matt ever find it?


My Review


Meh.

I so wanted to like this book. It took place during the mid-80’s, a time of my life I’ll always remember fondly. I had a job, a brand new car and my own apartment.

I loved my Jordache jeans.


I loved my very practical and stylish mullet.



I loved my denim jumpsuit.




And I loved Queen, Depeche Mode, U2, Kate Bush, Alphaville, Pet Shop Boys, Talking Heads.

What I didn’t love was that my younger brother was newly gay during a time of ignorance and irrational fear about the AIDS epidemic.




When I think about all the crazy shit I did then, it’s a miracle I’m still alive today.

So, even though I wasn’t a huge fan of Bauhaus or Love and Rockets, I had no reservations about spending time with three crazy Goth kids from Los Angeles – 18-year-old Matt and his best friends, Annie and Suzy.

Unfortunately, I couldn’t warm up to the characters at all. Their lives were boring, shallow, and pointless. Sure, this story explored sexuality, family relationships, drug addiction, and growing up, but it all was done so superficially. Knowing more of the characters’ feelings and thoughts rather than listening to their mindless banter would have helped me understand and empathize with them a little better.

While I enjoyed some of the memories this story evoked, I couldn’t stand being around Matt and his friends after a while. Reading this made me feel like the old woman yelling at the neighborhood kids to stay off the lawn and turn down that infernal noise they call music.

I might have tolerated this story better if it had been more skillfully written and not full of annoying similes.

“Suzy sped home like a wounded animal.”
“Her stepmother’s purse lay like an injured animal on the bed.”
“You’re as useful as a cunt full of cold piss.”
“The words came out like burning animals.”
“He grabbed it, flaying it open with his hand like a surgeon’s blade.”
“The lime bobbed in the bottle’s throat like an unkind comment.”
“The brightly ringing song rolled over us like a golden hoop.”


It’s a nice tribute to Rozz Williams and the American and English gothic rock artists of the 80’s, but I’m glad these kids are now out of my hair.

Wednesday, October 8, 2014

THE HEADMASTER'S WAGER BY VINCENT LAM

The Headmaster's WagerThe Headmaster's Wager by Vincent Lam
My rating: 5 of 5 stars

”The soil in this country is red from all the blood that is soaked into the earth. When each war ends, another soon begins. The Japanese, the French, the Americans, someone else in the future, so what does it matter what they say in Paris? The land itself bleeds.”

 photo Vietnam_zps26fff426.jpg

World War Two came early to Shanghai. In 1937, during the Battle of Shanghai, the Japanese invade and occupy Shanghai. They stay until the end of the war. Percival Chen A.K.A. Chen Pie Sou made his way to Hong Kong where he could have some semblance of a normal life until the Japanese invade there as well in 1941.

The Japanese prove to be brutal conquerors.

He and his young bride, the lovely, spoiled, ambitious Cecilia escape to his father’s rice trading firm in Vietnam. The Japanese are there as well, but kept the Vichy French in place as a puppet government. Things are marginally better. The Japanese execute people on a routine basis, food is scarce, and the country is fracturing into all kinds of splinter groups with differing political objectives. One thing that everyone agrees on, they hate the money grubbing, arrogant Chinese.

In 1946 the Viet Nimh go to war with France in what is called The First Indochina War. Non-communists fought with communists. Stalinists purge Trotskyists. Every time one of the political factions gain control tens of thousands of people die. New alliances are formed and finally it becomes the Viet Cong and the Army of the Republic of Vietnam fighting for power.

Here come the Americans. It is 1965.

 photo Americansarriving_zps8393ed84.jpg

The Soviet Union, The Chinese, and now The Americans are all now adding fuel to the fire in Vietnam. There are victims, so many victims. There are plenty of deaths, but some die fast and some die slow.

”The car’s headlights arced over the flashing legs of the fragile street girls, their bright-colored butterfly dresses,lipstick slashes on their tired grandmother mouths.”

Through all this Percival has dicey moments, after all he is a foreigner in the middle of conflict and is suspected by everyone. He decides to open a school and when the Americans arrive he decides that school needs to focus on teaching Vietnamese English. His son Dai Jai, in a moment of youthful indiscretion, holds a protest that puts him on a dangerous list. Percival enlists the help of the diabolically well connected Mak (a teacher at his school) to spirit his son out of the country to China.

The book explores the difficulties of parents in a time of war. The world has been torn apart leaving very few untouched by the detrimental effects of all out war. Many parents all across Europe and Asia, from the 1930s on, have had to make difficult decisions about their children. Are they safer with us or are they safer elsewhere and where is safe? It nearly kills Percival to be separated from his son, but he convinces himself that he has a better chance in China than in jail or in a uniform in Vietnam. The climate in Vietnam is not safe for anyone.

 photo RedEnvelopes_zps2dc2f250.jpg
An Ancient Chinese tradition for giving gifts that work equally well for passing bribes.

Percival has become an expert at bribing (special red envelopes) to an ever changing revolving door of government officials. As the Americans need more and more translators he begins to routinely double the tuition for his school. He needs the money to support not only the bribes, but his growing gambling habit and his insatiable desire for young women. ”Although a man could be selfish in seduction, he must be considerate in pleasure.”

And then he wins Jacqueline in a game of Mahjong.

”He had only sought a girl for a night.”

She was intoxicating. Her smell. The way she looked at him.

”There was the rising scent of wilted jasmine flowers and burned rice in the bottom of pots. A flashbulb of lightning burst close by, and thunder chased it. Rain surged through tree leaves, reddened the roof tiles like fresh blood. Water rippled over the curved clay, spilled to the terrace below, flooded the gutters and coursed along the street of men and women huddled in thin plastic ponchos. It fell from the top of the window and splashed on the sill, sprinkling Percival and Jacqueline.”

For the moment it was as if they had been anointed by the universe.

It is always amazing the number of obstacles that are flung in the path of love. There are the normal difficulties, but for Percival there seem to be a growing number of issues that threaten to separate him from what he is beginning to believe may very well be the love of his life. His wife Cecilia is chasing after wealthy men and long ago divorced him to facility the chasing. The problem is Percival is doing business with those pesky, moralistic, Americans. He has started to rely more and more on his friend Wak to manage the school as he spends more and more time pursuing his pleasures. Now it is fine for the headmaster of a prestigious English School (he did oversell his qualification and his education level) to gamble, to drink too much, to fornicate with young ladies at a nightly rate, but for him to take such a young mistress, well that is going over the line.

Love equals risk. Love in a war zone equals megaton risk.

Percival is first and foremost a gambler, a gambler that has relied on a abundance of good luck his whole life. He will make a wager with the universe once again and hope that the right Mahjong tiles continue to find his fingers.

 photo mahjong_zpsd6d095cb.jpg
Pre-1960s mahjong tiles.

Monks are lighting themselves on fire.

”He did not cry out at first, but only hunched forward, the contours of his body and robe all softened by the violent caress of undulating fire. Flame dances as if part of the saffron garment, and the seated man’s mouth was a black hole within his melting face. Somewhere within, the throat shrieked, gave agonized testimony. The color of the fire and the fabric were one, until the fabric darkened to char. The voice was silenced and then there was only the sound of fire like water, like lapping waves.”

Things get much more complicated as he finds out that people he trusts aren’t exactly who he thought they were. He has been riding a board, standing up in fact, and been able to maneuver every new swell even with a constant changing of the political weather.

And then the Americans leave.

 photo AmericansleavingSaigon_zpsf834d850.jpg
The Americans leave behind their allies, hundreds of half breed kids most of whom are slaughtered by the Communists or allowed to starve.


Percival’s ability to survive will be tested once again. He has a son with Jacqueline and once again he has to make a decision on how best to protect a son.

I’ve never read anything about Vietnam from such a unique perspective. A Chinese man equally discriminated against by everyone; and yet, able to become indispensable to each new administration running the country. There are certainly overtones of Graham Greene in this novel. The intrigue, the tribulations of a foreigner in a destabilizing country, the espionage, the lust/love of the exotic, and the well meaning, but clueless Americans reminded me of The Quiet American. Vincent Lam spins all of these aspects into such a delicate web of interlacing subterfuges that I found myself completely ensnared in his plot. I marveled at the ability of anyone to survive under the constant threat of shifting alliances, the debilitating specter of paranoia, and the constant weighing of short term happiness against a life time of what ifs.



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Tuesday, October 7, 2014

Gone Girl

Gone GirlGone Girl by Gillian Flynn
My rating: 4 of 5 stars

When his wife goes missing, Nick Dunne quickly finds himself the prime suspect. Did he kill his wife? Was their marriage as perfect as it seemed? Or was there someone sinister going on all along?

One the heels of reading Dark Places and catching a dose of Gillian Flynn fever, I decided to take on her show dog, Gone Girl. People are bastards, bastards coated in douche bags and then rolled in a pile of assholes. That's the life lesson I learned from reading Gone Girl.

Told using a more or less parallel structure with shifting viewpoints between Nick and Amy, both unreliable narrators, Gone Girl is less a mystery than a study of just how underhanded people can be to one another. The disintegration of Nick and Amy's relationship kept the book going in the beginning, before its full scope was revealed.

Gillian Flynn is a master of manipulation. I lost count of how many times I switched my allegiance from one character to another, bouncing around like a ping-pong ball. Once the truth of what really happened unfolded, I was pretty much aghast.

The dying small town of Carthage is one of those rural settings that I love in a crime book. When you've got the Big Muddy rolling right next to your town, it's a great way to dispose of any incriminating evidence.

It's probably going to be akin to blasphemy is some people's eyes but I actually preferred Dark Places to this one for a few reasons. The pace in Gone Girl was a little on the slow side at times. The scheme was a little too far fetched, even though it's would be doable given the right sociopath. The ending also kind of sucks and the book felt like it was about twenty pages too long. The biggest advantage Dark Places has over Gone Girl is that I cared about Libby Day. Nick and Amy could both get run down by a garbage truck and I wouldn't bat an eye.

Gone Girl was a pretty good read, as expected. Gillian Flynn reads like a grittier Megan Abbot or the illegitimate spawn of Jim Thompson on one of his many drunken benders. 4 out of 5 stars.

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Slaughterhouse-Five

Slaughterhouse-FiveSlaughterhouse-Five by Kurt Vonnegut
My rating: 4 of 5 stars

Billy Pilgrim becomes unstuck in time and experiences the events of his life out of chronological order. War and absurdity ensue.

I've never read Kurt Vonnegut up until now and when Slaughterhouse-Five showed up in my cheapo ebook email a few days ago, I decided it was time. Get it?

Slaughterhouse-Five is often classified as science fiction but it reads more like Kurt Vonnegut trying to make sense of his World War II experiences through a humorous (at times) science fiction story. It also seems to be a Big Important Book, due to novelly things like themes of anti-war and the absurdities that come with it. It also uses a non-linear plot structure to illustrate the timey-wimey nature of Billy's affliction.

There's not really a whole lot to tell. Slaughterhouse-Five is basically a collection of non-chronological events in Billy Pilgrim's life: his experiences in World War II, his life after the war, and his abduction by the Tralfamadorians, aliens who view events in time simultaneously rather than chronologically.

The bleakness and black humor go together surprisingly well, like beer and White Castles. I have to wonder, though, if Slaughterhouse-Five would be as highly regarded as it is if it didn't land on so many banned book lists over the years. Nothing like some controversy to get people to read.

While it wasn't pants-shittingly awesome, I enjoyed it quite a bit and I'll likely pick up another Vonnegut book in the future. Four out of five stars. So it goes.

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Monday, October 6, 2014

Dark Magic Indeed

The Year of Magical ThinkingThe Year of Magical Thinking by Joan Didion
Reviewed by Jason Koivu
My rating: 4 of 5 stars

To call Joan Didion cold or even heartless - true as it may be in the light of The Year of Magical Thinking, this monument to the analytical dissection of grief - is itself a cold and heartless condemnation. We all grieve in our own way. This is hers.

After losing numerous family members suddenly and too soon, Didion then lost her husband and daughter within the span of a year. This book is her cathartic contemplation of that loss.

Heartrending, yes occasionally. Heartwarming, no never. Didion's demeanor is all too cerebral. It is as if she has educated herself above emotion. Certainly it can be said that some educate themselves beyond their own well-being. In this case, we see a mind so removed from the everyday reality of man as to answer "a motherless child" instead of "a nut" when asked to fill in the blank for "Sometimes you feel like ____." The result, when pushed to produce a book about grieving for loved ones, is an academic's deconstruction. No, it is not without feeling, she is still human after all, but stoicism is her strongest suit.

Beyond the almost biting cynicism you get beautiful language, great observations and insights to, let's call it, a different kind of emotion.

I assume, and sincerely hope, she never reads reviews like this. She shouldn't care what snarky assholes think of her work, not this work and not after the experiences she went through that brought it about. One who suffers so many visits from Death should not give two shits or even one single flying fuck what the rest of the world thinks.

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Let it go...Let it go!

The Knife of Never Letting Go (Chaos Walking, #1)The Knife of Never Letting Go by Patrick Ness
Reviewed by Jason Koivu
My rating: 4 of 5 stars

This isn't what I expected and that's a-okay fine, because The Knife of Never Letting Go is a razor-sharp story! (sorry, that was terrible)

I guess I was thinking this would be more cerebral, but it turned out to be a fast-paced, action-filled read that reminded me a bit of The Hunger Games in that it follows a kid in survival mode in a dystopian world.

Here's the story in a nutshell: A boy on the verge of becoming a man via his village's secretive initiation rites, flees the isolated community with an angry mob at his heels, trying to find out what the heck is going on along the way.

Though this was a straight up adventure story heavy on Campbell's archetypal mythology, it did have it's thoughtful moments and ideas to ponder. For instance, men have the ability to hear in their heads what other men are thinking, thus they are tormented by what they call "Noise," the mass of thoughts continuously bombarding them. Women don't give off noise, but can hear the noise of men. I don't know if this was intended, but I thought that was a nice parallel to real life, where generally speaking men's thoughts are not hard to deduce and women are a mystery to men, again, generally speaking.

The narration is first person, so we are constantly in the mind of Todd Hewitt, a young, uneducated, angry, and often frustrated youth. Sticking with a stupid hick for 400+ pages can be trying on the nerves. But Ness' world creation is a good distraction, his plot is intriguing enough and he added in some levity in the form of a pet dog for Todd, so I managed to hang in there. As with most dystopian novels I've read, scenery description is sparse. Ness' desire to keep the ball rolling and only slow it down for a bit of exposition now and then, means that he didn't spend much time with the setting. That's fine, and even preferable for action's sake, but it can leave one feeling empty and colorblind for want of scenery.

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Sunday, October 5, 2014

Eon, by Alison Goodman

Eon
by Alison Goodman

Reviewed by Sesana
 Four out of five stars

Publisher Summary:

Sixteen-year-old Eon has a dream, and a mission. For years, he’s been studying sword-work and magic, toward one end. He and his master hope that he will be chosen as a Dragoneye—an apprentice to one of the twelve energy dragons of good fortune.

But Eon has a dangerous secret. He is actually Eona, a sixteen-year-old girl who has been masquerading as a twelve-year-old boy. Females are forbidden to use Dragon Magic; if anyone discovers she has been hiding in plain sight, her death is assured.

When Eon’s secret threatens to come to light, she and her allies are plunged into grave danger and a deadly struggle for the Imperial throne. Eon must find the strength and inner power to battle those who want to take her magic... and her life.


My Review:

Eon is a sort of cousin of Tamora Pierce's Alanna: a girl disguising herself as a boy to, in a nutshell, kick ass and take names. No, Eon/a is not quite the woman Alanna is, but that's a really, really high bar to set. She has earned her place in that category of badass YA heroines, though.

Eon is, in many ways, about gender. The world of Eon, heavily Asian-influenced, is a profoundly misogynistic one: men hold all the power, and women are completely devalued. Which makes Eona's ruse, disguising herself as a boy to gain the power of a dragon, a very dangerous one. The plot of the book is essentially about Eona learning to recognize her own power and ability as a woman, a power that she doesn't have to borrow from a man. It's significant to me that the female power in this book is one of rage, not the more stereotypical nurturing energy I'd more than half expected to see. Eona can only be powerful as a woman, and she's damned powerful.

Another positive: the wonderful Lady Dela. Dela was by far my favorite character, bright, witty, and very capable in her role as courtier. And a transwoman whose gender identity really isn't a big deal. Eon asks her a few, respectful questions, and that's it. She thinks of her as a woman consistently and without any particular drama. It is really, really cool to have a trans character in a YA novel, or any novel, really, without that character's gender being an issue. That isn't to say that Dela is entirely free or prejudice, just that her gender identity isn't an issue for her or Eon, simply a detail of her character. Let me be clear, I would love Dela in any event for her personality, because she's awesome. But she's also an important character, in a real world sense.

For me, what is meant to be the big twist was telegraphed very, very early on. <spoiler>I realized almost immediately that the Mirror Dragon had to be female, and that her absence was because of the way women were excluded from the Dragoneye cycle.</spoiler> I was surprised with how little I was irritated with Eona for lagging so far behind me. But it's very easy to see why she's unable to see what's so obvious to me, a reader who hasn't been immersed in her culture. <spoiler>From birth, it's been drilled into her that female, Moon energy is weak and unwelcome, so it makes sense that she'd be blind to that power even when it's right in front of her.</spoiler> But this will probably annoy the crap out of some people who will just want to slap some sense into her. I don't judge.

I was very uncomfortable with how quickly the threat of rape shows up, as soon it's feasible. And Eona's relationship with her mentor becomes increasingly creepy, in many ways, which is never really dealt with. I very much could have done without the rape threats and creeping, thanks.

The world building seemed to be really good when I was reading the book. It was only after I finished that I realized that I still didn't understand much of what the dragon magic did. I guess that's what the second book is for. This one doesn't really end on a cliffhanger, but the story is obviously far from over. Not a bad way to end the first book, actually.

Friday, October 3, 2014

Crooked Letter, Crooked Letter

Tom Franklin
William Morrow
Reviewed by Nancy
5 out of 5 stars


Summary


Tom Franklin's narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy.

Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far; an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county— and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.

More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.



My Review

It was Kemper's review that made me add this book to my shelf. It was Stephen's that made me rush to the library after work and grab a copy.

After reading Shine and Winter's Bone, I was hesitant about reading another depressing story set in the south, but I’m so glad I did.

Larry Ott had a tough childhood growing up in rural Mississippi. He was sickly and he had a stutter. He never quite fit in among his classmates, usually the butt of a joke or the target of a bully. His dad was cold, distant and unaffectionate. Reading books was his only escape, until he met Silas Jones. The two boys were friends for a short time, enjoying activities like shooting, playing in the woods, and hanging out.

Larry’s life was forever changed when popular Cindy Walker asked him on a date. Though no evidence was found linking Larry to her mysterious disappearance, he has been the object of scorn and speculation, resulting in his isolation from the close-knit, rural community he grew up in. Silas, meanwhile, has moved on.

Now 41, Larry’s days are spent repairing the cars of the few out-of-towners who visit his late father’s garage, tending his chickens, and reading his favorite Stephen King novels.

Silas returns to Mississippi as a town constable. He and Larry’s lives intersect again when another girl disappears.

This beautiful, sad and unforgettable story weaves back and forth, between the past and the present, revealing details about childhood and the awkward teenage years. It paints a vivid picture of a depressed town and the secrecy, silence and judgment of its inhabitants. While crime plays a significant role in this story, it is the friendship between Silas and Larry and Larry’s aching loneliness that make the greatest impact.