Monday, March 17, 2014
My Life as a White Trash Zombie
My Life as a White Trash Zombie
Diana Rowland
DAW 2011
Reviewed by Carol
★ ★ ★ 1/2
Braaaains. Hungry for braaaaains. Brains NOW!
At least, that's the call of the American Zombie, genus and species unknown (human? bacteria? virus?) Rowland does something unusual in My Life by creating a protagonist who undergoes a traumatic experience and gradually realizes she's one of the living dead. Even though she feels almost normal. Except for those pesky cravings. And that body odor. A fan of the genre in general, I couldn't resist giving this a try after seeing how many of my friends enjoyed it. Thanks, friends!
Angel is a young woman who wakes up in the local emergency room. Her last memory was of a violent, bloody car wreck, but the nurse tells her it was a drug overdose. It seems she must be right, since there isn't a scratch on Angel, even though vividly recalls a gash across her abdomen and her femur bone sticking out. After a brief police interview, she's discharged to her home with a pile of clothes, a six-pack of coffee-mochas and a note telling her to report to a new job at the coroner's office the next day. Home is an old trailer she shares with her alcoholic dad. Although she takes one of her secret stash of pills to help her calm down and sleep, she soon discovers pills aren't working. When she shows up at the coroner's office the next day, things start to get even more interesting, especially her fascination with brains during an autopsy.
Narrative is done first person, giving insight into Angel's discoveries as well as her self-deceptions. Language is well done, keeping in tone with her drop-out status yet not so simple in structure or vocabulary that it became boring.
Angel's characterization is well done, initially capturing the tone of an immature, hopeless young person embarking on a journey to self-discovery and greater self-confidence. The people surrounding her were less developed, but I felt it was consistent with Angel meeting a wide variety of new people, reacting to them with old assumptions, and gradually realizing they were more complex as well. I found myself rooting for her, surprisingly emotionally engaged for a book I had expected to be a easy-breezy read.
It's a solid three and a half stars. A fast read, with unexpected plotting and surprisingly touching human drama. Recommended for all zombie fans.
Friday, March 14, 2014
Rise Again
Ben Tripp
Gallery Books
Reviewed by: Nancy
4 out of 5 stars
Summary
Forest Peak, California. Fourth of July. Sheriff Danielle Adelman, a troubled war veteran, thinks she has all the problems she can handle in this all-American town after her kid sister runs away from home. But when a disease-stricken horde of panicked refugees fleeing the fall of Los Angeles swarms her small mountain community, Danny realizes her problems have only just begun—starting with what might very well be the end of the world. Danny thought she had seen humanity at its worst in war-torn Iraq, but nothing could prepare her for the remorseless struggle to survive in a dying world being overrun by the reanimated dead and men turned monster. Obsessed with finding her missing sister against all odds, Danny’s epic and dangerous journey across the California desert will challenge her spirit . . . and bring her to the precipice of sanity itself. . . .
My Review
Sheriff Danielle Adelman is one tough lady. Her younger sister runs away from home with Danny’s vintage Mustang, she suffers the physical and psychological effects from being a soldier in the Iraq war, she deals with petty criminals, and if that’s not bad enough, zombies are moving into her small California town. No wonder she drowns out her troubles with alcohol.
With her sister’s letter in her shirt pocket and a small band of survivors, Danny is on a mission to find her sister and keep her people safe.
I loved Danny’s strength and sense of ethics, and the very different personalities she has to deal with. There’s Wulf, another hard-bitten war veteran whose shooting skills come in handy, there’s Patrick, gay TV personality who feels faint at the sight of blood and has a soft spot for Danny, and Amy, the veterinarian who prefers animals to people. Then there’s the private militia group who makes everyone’s life miserable and is as scary as the zombies.
The zombies get more terrifying as the story moves along. First, they are mindless, shambling creatures who moan at the sight of living prey. Then they gradually evolve into fast-moving predators that are more adept at getting through doors and windows, and then they form packs who stalk their prey. It seems that bio-terrorism caused the zombie epidemic, though the author thankfully did not spend a lot of time dwelling on the cause.
What I wanted was lots of action, believable flawed characters who have to learn to work together in order to survive, and scary zombies. What I didn’t expect was the gut-punch ending.
If you’re a fan of zombies, and don’t mind a story that takes occasional digs at the government and private enterprise, then don’t miss this one.
Also posted at Goodreads.
Thursday, March 13, 2014
Smeggin Smegheads!
Better
Than Life
(Red Dwarf 2)
by
Bob Grant and Doug Naylor
Review
by Zorena
Four
Stars
Summary
A
wild and wacky SF series--based on the popular BBC-TV
series--reminiscent of The Hitchhiker's Guide to the Galaxy.
Lister--who passed out drunk in London and awakened in a locker on a
moon of Saturn--now finds himself trapped in a computer game that
transports players to the perfect world of their imaginations--a game
people are literally dying to play.
My
Review
Yet
another Red Dwarf book based on an episode of the hit television
series. It just goes to show that Grant and Naylor, when they are
together, can write funny novels as well as funny TV scripts. This
isn't just the episode there are a whole bunch of extras that really
added to the story.
I
found both Red Dwarf books on audio and just (re)listened to Infinity
Welcomes Careful Drivers
and it was a joy to hear Chris Barrie. I know I had just read the
book but I had to listen to IWCD before I listened to this second
instalment Better
Than Life.
I'm so glad I did as it set up a good mood that lasted until the end
of this book and beyond. I'm still smiling. To hear it in Barrie's
voice who is also a great mimic brought to life all the characters in
the book. If you closed your eyes you felt sure that the show was
on.
I've been in a humorous stories phase lately and this just fed right into it. I would count this as another must read or listen for fans and non fans alike.
I've been in a humorous stories phase lately and this just fed right into it. I would count this as another must read or listen for fans and non fans alike.
Wednesday, March 12, 2014
GIOVANNI'S ROOM BY JAMES BALDWIN

My rating: 5 of 5 stars
”He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying moralities. And you--you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?’”

James Baldwin in Harlem.
David is an American living in Paris attempting to find himself. His girlfriend Hella is in Spain taking some time to think about whether she wants to commit the rest of her life to David. Meanwhile David is out of funds and his father is willing to let him starve a bit in the hopes that he will come home. He is, after all, getting a bit old, pushing thirty, to still be looking for himself. There is this legitimate fear that he will never find himself, and if that is the case he might as well come home and rejoin the real world of marriages, careers, and cocktails.
He meets Giovanni, not because he is looking for someone, but because he is paying the price of borrowing money from Jacques, an old lecherous American business man who will lend you money, but it will cost you time entertaining him with your presence and your conversation. Hopefully you are not so desperate that it will cost you even more. Jacques finds Giovanni attractive and hopes that David can convince the young man to have a drink with them.
The best laid plans of salacious old men rarely bear fruit. They have to be patient and wait for the specter of starvation to land them a pliable playmate. This is one of those times when it all backfires on Jacques, but he will continue to spin a web and wait for a bobble in finances. After all, Paris is an expensive city and with so many young men on the verge of destitution he only has to wait for a tug on one of his many sugared threads.
David goes home with Giovanni.
”I was trembling. I thought, if I do not open the door at once and get out of here, I am lost. But I knew I could not open the door, I knew it was too late; soon it was too late to do anything but moan. He pulled me against him, putting himself into my arms as though he were giving me himself to carry, and slowly pulled me down with him to that bed. With everything in me screaming No! yet the sum of me sighed Yes.”
Giovanni’s Room comes to define David’s whole Parisian experience.
”The table was loaded with yellowing newspapers and empty bottles and it held a single brown and wrinkled potato in which even the sprouting eyes were rotten. Red wine had been spilled on the floor, it had been allowed to dry and it made the air in the room sweet and heavy. But it was not the room’s disorder which was frightening, it was the fact that when one began searching for the key to this disorder one realized that it was not be found in any of the usual places. For this was not a matter of habit or circumstance or temperament; it was a matter of punishment and grief.”

James Baldwin in Paris.
David is astute enough to recognize that this is not just a fling for Giovanni, but a true attempt to not only find love, but to also escape the past, the present, and an increasingly gloomy looking future.
”I understood why Giovanni had wanted me and had brought me to his last retreat. I was to destroy this room and give to Giovanni a new and better life. This life could only be my own, which, in order to transform Giovanni’s, must first become part of Giovanni’s room.”
David, operating with a safety net, can afford to have an “unnatural” fling, after all he is in France not America, but for Giovanni this is a heart and soul relationship. As David dances around his own desires and the realization that he must eventually straighten up and become a devoted member of heterosexual America it becomes increasingly difficult to know what to do about Giovanni.
”The beast which Giovanni had awakened in me would never go to sleep again; but one day I would not be with Giovanni anymore, And would I then, like all the others, find myself turning and following all kinds of boys down God knows what dark avenues, into what dark places?”
Hella, like a lifeboat on the horizon, writes to say she has made her choice. She is coming back to Paris to be with David.
Elation and dread suddenly tinge the unraveling of all of his loosely conceived relationships.
Under the guise of some bizarre logic David decides he must be with a woman, as if to create a demarcation line between Giovanni and Hella. It doesn’t really matter what woman, just a woman. The lucky winner is Sue, but David doesn’t get away without a dagger of remorse pricking his darkening soul.
”’Maybe you’ll be lonely again,’ she said, finally. ‘I guess I won’t mind if you come looking for me.’ She wore the strangest smile I had ever seen. It was pained and vindictive and humiliated but she inexpertly smeared across this grimace a bright, girlish gaiety--as rigid as the skeleton beneath her flabby body. If fate ever allowed Sue to reach me, she would kill me with just that smile.”
I’ll leave the rest to you fair reader. There are more twists and turns and the fates of many rest on the resolve of one man and whether he can be honest about his own nature.

The Elegant Mr. James Baldwin
James Baldwin’s publisher gave him some advice in regards to this manuscript. He felt he must “burn the book because the theme of homosexuality would alienate him from his readership among black people.” Fortunately, he was wrong. Critics, thank goodness, were kind to the book because of Baldwin’s reputation and status as a writer. Sure this book makes the list of best gay/lesbian books ever written, but it also makes the list of many BEST BOOKS ever written.
I’m going to come out of the closet and say I’m a heterosexual male, although why... I’m not sure... except that I’m just wired that way. The same way that the various sexually self-designated people are wired to be attracted to a multitude of diversely sexually oriented people. To say this is a gay novel certainly is not an attempt to denigrate the book, but it does seem to limit the scope of the vision. There is viciousness, lust, loneliness, deception, sorrow, tenderness, despair, and ultimately tragedy that makes this book easily one of the top 100 best books I’ve ever read. Every reader will find something of themselves in this book, maybe not the part of themselves that they want to hold up to the mirror, but certainly a fragment, disdainful in nature or worthy of pity, that can not be denied.
This really should be my second or third reading of this novel, but somehow it has been on my radar and fallen off my radar numerous times over the years. A helpful nudge from John Irving in his book In One Person convinced me that I needed to quit dawdling and read this book. The Paris of the 1950s doesn’t exist anymore, but luckily for you and I it is still vibrantly alive in the pages of this book.
View all my reviews
Tuesday, March 11, 2014
A Friendly Fox
Jane, the Fox & Me by Fanny Britt, Isabelle Arsenault, Christine Morelli
2013
Reviewed by Diane K. M.
My rating: 4 out of 5 stars
If you like the book "Jane Eyre," you will probably like this beautiful graphic novel.
"Jane, the Fox and Me" is the story of Helene, a young girl who is shy and lonely and is being bullied by a group of mean girls at school. They make fun of her weight and taunt her about not having any friends. Helene's one source of comfort is reading the book "Jane Eyre," which she carries with her every day. She burrows into it on the bus as a way of blocking out the awful things the other kids say.
Things come to a crisis when Helene has to go on an outdoor field trip with her class, and even though she tries to avoid the bullies, they still make fun of her. Luckily, a kind girl befriends Helene and she suddenly has someone to talk to.
The drawings are gorgeous. The stark scenes with the mean girls are in black, white and gray, but whenever Helene is reading her precious book or is being imaginative, beautiful colors emerge. I especially loved the reddish-orange color of a fox Helene sees in the woods, and the rich blues and greens of the watercolors after Helene has found her friend.
Technically this book is for young adults -- it was honored as as one of the 10 Best Illustrated Children's Books by The New York Times Book Review -- but I think adults would also appreciate this bittersweet story. Highly recommended.
2013
Reviewed by Diane K. M.
My rating: 4 out of 5 stars
If you like the book "Jane Eyre," you will probably like this beautiful graphic novel.
"Jane, the Fox and Me" is the story of Helene, a young girl who is shy and lonely and is being bullied by a group of mean girls at school. They make fun of her weight and taunt her about not having any friends. Helene's one source of comfort is reading the book "Jane Eyre," which she carries with her every day. She burrows into it on the bus as a way of blocking out the awful things the other kids say.
Things come to a crisis when Helene has to go on an outdoor field trip with her class, and even though she tries to avoid the bullies, they still make fun of her. Luckily, a kind girl befriends Helene and she suddenly has someone to talk to.
The drawings are gorgeous. The stark scenes with the mean girls are in black, white and gray, but whenever Helene is reading her precious book or is being imaginative, beautiful colors emerge. I especially loved the reddish-orange color of a fox Helene sees in the woods, and the rich blues and greens of the watercolors after Helene has found her friend.
Technically this book is for young adults -- it was honored as as one of the 10 Best Illustrated Children's Books by The New York Times Book Review -- but I think adults would also appreciate this bittersweet story. Highly recommended.
Cruelty - Episode 3

My rating: 4 of 5 stars
In the wake of Cruelty's rampage, Tom Morgan is in the hospital, Kirk is in the hospital, The DEA is after Twon, and Twon is after Will Longmire.
In episode three of Cruelty, things move right along. We find out who was in the freezer at the bait shop, what the point is of Cruelty's actions, and just how deep in the shit Will Longmire and the rest of the cast are in. It feels very much like the third episode of a television show, complete with the agonising wait until the next episode.
Ever time I read an Edward Lorn story, I get smacked in the head with how clever his writing is. Lots of colorful metaphors and clever but still realistic dialogue. Also, he has the sense to hire an editor. Like I've said several times before, this is self-publishing done right.
Threatening to punch an author in the junk seems to work wonders. Not only did Edward Lorn trot out the third episode in short order, he also mentioned my threats of genital harm in the introduction.
Four creepy baby doll stars. If you've read the first two, you'll want to read this.
View all my reviews
The Ruins

My rating: 4 of 5 stars
When four American college students and a German tourist go on a foray into the Mexican jungle, searching for the German's missing brother, they have no idea of the horror they will find themselves entangled in. Will any of them leave the jungle alive?
I was in the mood for some horror and received recommendations for this book from two highly regarded reviewers. I'm proud to say Kemper and Trudi weren't wrong.
The Ruins is the story of five people who make a serious of questionable choices and wind up trapped on top of a hill with a killer vine terrorizing them. It reminded me of The Troop quite a bit in the way the relationships disintegrated as supplies ran low and the vine got more and more vicious. After one stupid mistake, things quickly fell apart. I'm surprised the characters lasted as long as they did.
This book seems to have a polarising effect among reviewers. Part of it is probably that it straddles the line between horror and thriller, stymying people who like to be able to slap a convenient label on things. The other part is probably the characters. I didn't find any of them overly likeable but I didn't hate any of them either. Sure, I wanted to slap them around from the moment they decided it was a good idea to go for a romp in the Mexican jungle all the way until the end but that's how horror stories of this type go sometimes.
Eric's self-mutilation was one of the creepier parts of the book, made creepier at the end when it turned out he actually had vines inside him. I felt bad for Jeff, trying to hold things together when everyone else seemed continually on the verge of losing his or her shit. I think I would have pushed some assholes down the mineshaft when he came back to find them all drunk.
The vine was creepy but that wasn't a surprise since plants are emotionless monsters. Just look at the Venus Flytrap or watch how quickly plants overtake an abandoned shed or cabin. I didn't have a problem with the plant's intelligence but I will admit that its mimicry was a little far fetched at the end.
While The Ruins isn't your grandma's horror novel, it delivers the goods if you're looking for a tale of desperation and creepiness. Four out of five stars.
View all my reviews
Monday, March 10, 2014
Another Grippping Story from Dennis Lehane
Reviewed by James L. Thane
Four out of five stars
Live By Night tells a broad, sweeping tale that stretches from 1926 to 1935, and from Boston to Tampa, Florida and on to Cuba. It includes a number of historical figures as well as fictional characters and follows the story that Lehane began several years ago in The Given Day.
At the center of the story is Joe Coughlin, the youngest son of Boston police captain, Thomas Coughlin. The Coughlin home was not a happy one, at least not for young Joe, who early on amused himself by doping out the combinations to the household safes where his father squirreled away the payoffs and other money that accrued to a corrupt police official at the height of Prohibition.
As a boy, Joe reacted by joining a gang that committed minor crimes, including the arson-for-hire of competing newsstands. Then one night, in the midst of robbing a poker game that is allegedly protected by one of the city's most important mobsters, Joe has the bad luck to fall in love at first sight with the woman who just happens to be the girlfriend of the aforementioned mobster. The affair will launch young Joe on the journey of his lifetime, or at least the next nine years of it, which would seem like a lifetime to any normal person.
It would be unfair to say any more about the plot, but this is a captivating story, filled with memorable characters. Lehane captures brilliantly the spirit of the age and the settings are so well rendered that at times the reader feels as though he or she is actually circulating through Boston, Tampa or Cuba along with the characters.
This is a book that should appeal to a wide range of readers and not just to fans of crime fiction. It also makes a wonderful companion piece to White Shadow, a very good book by Ace Atkins that is set in the underworld of Tampa in the 1950s and which centers on Charlie Wall, the man who was then the city's mob boss.
Clapton Is...Not Very Godlike

Reviewed by Jason Koivu
My rating: 4 of 5 stars
It seems as if Eric Clapton wrote this tell-all autobiography in an attempt to debunk the oft-heard graffiti-fied slogan “Clapton is God”. If so, mission accomplished.
Although I’ve loved his music since I can remember, I always thought he was probably kind of a dick. This book proves it. Oh sure, he’s got his reasons: illegitimacy, abandonment and a bevy of the usual childhood dramas. But hey, there’s a lot of people who’ve had it rough and they didn’t turn out to be cocks. Even so, I've give him credit for owning up to his dickedness.
Clapton will always hold a place in my heart for the work he did in the '60s with such legendary bands as the Yardbirds, Cream, Blind Faith, Derek and the Dominos, John Mayall and the Bluesbreakers.



I would've been oh-so happy to read an entire book dedicated to his work during those years, but this is not it. And that's understandable. This is after all an autobiography about his entire life thus far and it's always best if those don't bog down in any one era of a person's life.
But considering the work he did in the '60s and how huge a rockstar Clapton is now, can you even imagine the level he’d be on if he didn’t waste the following decades of his life drinking and doing drugs? I mean, this guy had serious addiction problems and once the book moves on to discuss his life during the '70s it turns almost entirely into a broken record, revolving around and around, detailing year after year how fucked up he was on coke and heroine. Then, once he finally kicked drugs, it became all about the booze. How he managed to live through the '70s and '80s, never mind actually put out albums and perform, is beyond me. Seriously, by all rights the man should be dead after all the shit he’s ingested.
I was fairly sure going in that I wasn’t going to enjoy the book after he was done discussing his career in the '60s, but I read on and I don’t regret it. It’s a decently written book laid out with a linear timeline, so it’s generally easy to follow. I did have one issue. Clapton is a name dropper…no, not the kind of name dropper that tries to make themselves seem more important by mentioning the names of all the famous people they know (even though Clapton does know quite a few), but rather he seems to name just about every person whomever ever came into his life. Hell, his local pub landlord even gets a mention! I don’t have a problem with giving shout-outs and props to people who mean something to you, but the problem is that it’s difficult to keep track of all the names of the many people who apparently have meant something to him. More than once I had to ask myself, “Who’s that now?”
Clapton bravely tackles an embarrassing aspect of his life, his unfortunate, ignorant racist comments. He also touches upon the death of his child and his efforts to sober up, so for those who need to see a dose of humble repentance and redemption, you get a measure of it. Is it enough to redeem him in my eyes? Not really. Does that matter? No. The point is, this is a decent book for those looking to learn more about its author. Just be prepared to learn a little more than you might care to.
View all my reviews
I Will Have Simon Pegg's Baby And There Is Nothing You Can Do About It!

Reviewed by Jason Koivu
My rating: 5 of 5 stars
Simon Pegg wrote a book?! He narrates an audio version of it! I just piddled my pants!
Dear review readers, please realize you are looking at a five star rating of the most gratuitous kind. Because I don't have the womb capacity to physically bear Simon Pegg's babies, giving his book an extra star or two is the only way for me to proclaim my love. Perhaps you do not feel as deeply about him --NEY!-- Since you definitely don't feel as deeply about him as I do, consider Pegg's autobiography to be somewhere closer to the high threes, maybe a four starrer.
Nerd Do Well is Pegg's reluctant agreement with his publisher to put out a "tell-all" instead of the comicy, action-filled sci-fi book he would've rather have done. The compromise will confuse and maybe even annoy some, for Pegg's non-fiction life details are interspersed with a fictional and funny-as-fuck tale of his own penning, in which he casts himself as a futuristic James Bond character.
Though Pegg says he doesn't wish to divulge personal details, he does actually get more personal than one would expect. Being that his nerd persona is based on his childhood love of the sci-fi and horror genres, lots of time is spent discussing Pegg as a youth. Since boys are almost always also interested in sex, the reader is made privy to some of his more private triumphs and failures. It's nothing too graphic...well okay, some "bad language" is used...but he doesn't go overboard. I didn't tally it up, but I'll bet there's more sexual innuendo in the fictional tale than in the real-life section.
All that silly smut is balanced out by a large helping of insight into his acting career. He begins at the beginning and marches it right through to the release of the movie Paul. If you're familiar with his career you'll enjoy the tales of how he met friends like Nick Frost and how shows such as Spaced and Big Train came about. A fan such as myself might beg for more behind the scenes details of these seminal steps in his showbiz career, but all in all, this tightly packed autobiography does what it should: satiate satisfyingly without saturating.
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