Showing posts with label James L. Thane. Show all posts
Showing posts with label James L. Thane. Show all posts
Monday, July 13, 2015
Philip Marlowe Finds Himself in Another Very Tangled Mess
Reviewed by James L. Thane
Four out of five stars
The High Window is another excellent novel featuring Raymond Chandler's hard-boiled L.A. detective, Philip Marlowe, although to my mind it's not quite on a par with Chandler's masterpieces, The Big Sleep and The Long Goodbye.
The case opens when a wealthy, twice-widowed Pasadena woman named Elizabeth Bright Murdock hires Marlowe to discreetly recover a valuable coin that has been stolen from her first's husband's collection. The client insists that her daughter-in-law, whom she hates, has taken the coin although she has no proof. The daughter-in-law has either left or been driven from the home. Mrs. Murdock wants Marlowe to quietly find the woman and get the coin back. The police are most certainly not to be involved.
All in all, this is a pretty strange household that also includes Mrs. Murdock's wimpy son and a severely repressed young secretary whom the widow treats like a doormat. Marlowe takes the case, although he pretty much knows from the git-go that everyone is lying to him, including his client.
Well of course they are, and before long poor Marlowe is up to his neck in a case that involves gambling, infidelity, blackmail and a small handful of murders. As is the case with any Raymond Chandler plot, it's all pretty confusing, although in the end, this one gets sorted out better than most.
As always, it's great fun to follow Marlowe through these tangled webs and, as always, the book is beautifully written in a style that has often been imitated but never matched. Raymond Chandler and his tattered detective were each one of a kind.
Monday, July 6, 2015
Reviewed by James L. Thane
Four out of five stars
Nick White is having a pretty crappy couple of months. He's lost his job; his efforts to make money as a card player are not going well, and his wife has recently kicked him out. So one can readily understand why the poor guy might be sitting in a bar on a rainy night, sucking down Scotch.
It appears that Nick's luck might finally be changing for the better, though, when an attractive blonde walks into the bar, steps over to Nick and asks, "Are you him?"
Nick decides that he has nothing to lose by playing along and responds by saying, "That depends. Are you her?"
This leads to some witty repartee, but it quickly becomes apparent that the two are talking past each other and that Nick has totally misjudged the situation. If he didn't realize it initially, he gets the picture pretty quickly when the blonde walks back out the door but not before giving him an envelope containing a flash drive, $20,000 in cash, and a photo of the young woman he's supposed to kill before he gets a second twenty thousand.
Once he gathers his wits and realizes what has just happened, Nick races out of the bar after the woman, but she has disappeared into the night and is nowhere to be seen. Totally confused, Nick returns to the bar, finishes his drink, and, of course, is still sitting there, dazed and confused, when the REAL hit man arrives and gets a good look at him.
Of course the logical thing for Nick to do would be to call the cops and turn the whole mess over to them, but then the story would stop dead in its tracks and we wouldn't have the guilty pleasure of watching poor Nick get put through the wringer.
John Rector is a master of taking ordinary people like Nick White, who are usually down on their luck anyhow, putting them into situations like this, letting them make the wrong decisions, usually one after another, and then letting it all play out. It's always great fun watching him do this and Ruthless is a very worthy successor to Rector's earlier books like The Cold Kiss and The Grove.
Suffice it to say that Nick decides not to go to the police but that he should at least warn the young woman who has been targeted for death. And as any fan of noir fiction knows, that means that the excrement is about to hit the fan. This is a book with any number of diabolical twists and turns, one that will keep readers turning the pages very quickly. It's a great summer read.
Monday, June 29, 2015
Hoke Moseley Has a Mid--Life Crisis
This is the third book in Charles Willeford's excellent series featuring Miami homicide detective Hoke Moseley. As the book opens, Hoke, although still only in his forties, wakes up to a full-blown mid-life crisis. He's completely unable to function irrespective of his responsibilities to his two teenage daughters who live with him, to his department, and to his partner, Ellita Sanchez, who is eight months pregnant (not by Hoke) and who also lives in Hoke's home. Unable to cope, Hoke takes a leav Reviewed by James L. Thane Four out of five stars This is the third book in Charles Willeford's excellent series featuring Miami homicide detective Hoke Moseley. As the book opens, Hoke, although still only in his forties, wakes up to a full-blown mid-life crisis. He's completely unable to function irrespective of his responsibilities to his two teenage daughters who live with him, to his department, and to his partner, Ellita Sanchez, who is eight months pregnant (not by Hoke) and who also lives in Hoke's home. Unable to cope, Hoke takes a leave of absence from his job and retreats to Singer Island, where his wealthy father lives. He takes a job running a small apartment building for his father and vows that he will never leave the island again. In the meantime, Stanley Sinkiewicz, an elderly retiree who has moved to Florida from Detroit has a brush with the law and, although he is completely innocent, he is briefly forced to share a jail cell with a man claiming to be Robert Smith. "Smith" is really a psychopathic career criminal named Troy Louden. He has a gift for reading people and immediately pegs Stanley for the sad, lonely man he is at heart. Louden befriends Stanley, schooling him in the way to best deal with the authorities, and before long, Stanley is convinced that Troy is his new best friend. Louden is desperately hoping to have the charges against him dropped before a fingerprint check is returned and the police discover his real identity. To this end, he asks Stanley to do him a "small favor" once he is released, and, totally won over by his new buddy, the old man agrees. The ploy works and Louden, now free, enlists Stanley to help him pull off a big job he is planning. Meanwhile, Hoke Mosley is discovering that it's a lot harder to simplify his life than he had hoped. His father is determined to help him get a new job with the local police force, although Hoke has absolutely no interest in the job. His younger daughter joins him on the island further complicating matters, and the tenants in the apartment house generally prove to be a major pain in the butt. The Mosley story and the Stanley/Louden story proceed along parallel tracks and for a while the reader is left to wonder how Willeford is ever going to link them up. But it really doesn't matter because both stories are very entertaining. Willeford has populated this book with a number of unique and very interesting characters and between the lines, he has a great deal to say about the nature of family and about the workings of the capitalist system in the United States. All in all, it's a very entertaining book that should appeal to large numbers of readers. |
Monday, June 22, 2015
A Great Debut Novel from Christine Carbo

Reviewed by James L. Thane
Four out of five stars
The Wild Inside is an excellent debut novel with a unique and very sympathetic protagonist.
As a fourteen-year-old boy in the Fall of 1987, Ted Systead went camping with his father in Glacier National Park in northwestern Montana. While the two of them slept that night, a large grizzly bear attacked their tent, dragged Systead’s father away and mauled him to death. Fortunately, the bear did not return to attack Ted, but the boy, though physically safe, was very badly traumatized by the episode.
Twenty years later, Ted Systead is still haunted by the events of that night. He now lives in Denver and works as a Special Agent for the Department of the Interior, investigating crimes that occur in the national park system. But when he’s assigned to lead a death investigation in Glacier National Park, he’s forced to confront not only a complex criminal case, but the personal demons he still harbors inside as well.
The victim of the crime is a low-life meth addict named Victor Lance. Lance was found duct-taped to a tree in the park and shot. While he was still alive and unable to defend himself, a grizzly bear found him and finished off the job that the killer had left undone.
The fact that the death was so horrific, that it occurred in Glacier, and that a grizzly was involved, all hit a bit too close to home for Systead, and at times seem to compromise his ability to function effectively. He’s also hampered by a lack of evidence, by uncooperative witnesses, and by a park supervisor who’s more concerned about avoiding bad publicity than he is in assisting the investigation. But Systead forges ahead, determined to see justice done, no matter the personal and other obstacles that confront him.
Carbo, who lives in Whitefish, Montana, obviously knows the park, the surrounding area and the people of the region very well. She’s at her best in describing the great scenic beauty of the park as well as the small and sometimes not-so-scenic communities that surround it. Many of the people of the area are loners, suspicious of outsiders, and are especially wary of federal authorities. Sad to say, there is an ongoing problem with meth and other drugs in northwestern Montana, and Carbo doesn’t shy away from showing us the toll that drug abuse is taking on these people and their communities. The end result is a gripping story that explores both the wilderness of the natural world and that of the human psyche. Readers will finish the book looking forward eagerly to Carbo’s next effort.
Monday, June 8, 2015
The Detectives of the 87th Precinct Tackle Two Unnerving Cases

Reviewed by James L. Thane
Three out of five stars
In this installment of the 87th Precinct series, the precinct's male detectives spend their days and nights hunting someone who is killing young women and then hanging their bodies from lampposts around the city. They are assisted in their investigation by Fat Ollie Weeks of the 83rd Precinct and, as always, this is something of a mixed blessing.
Meanwhile, Eileen Burke of the Rape Squad is undercover, attempting to catch a particularly sadistic rapist who continues to attack the same few women over and over again. Burke is acting as a stand-in for one of the victims, hoping that she will be able to decoy the rapist into attacking her and that this will give her the opportunity to arrest him.
As always, the story is well-written; the police procedures are interesting and the by-play among the detectives is entertaining. But there's a certain creepiness factor involved with both storylines that kept me from enjoying the book as much as I otherwise would have. I'm not normally overly sensitive to this sort of thing, but in this case McBain is so good at creating truly repulsive situations that I found myself wanting to cover my eyes at some points. Thus three stars for me rather than four.
Monday, June 1, 2015
Harry Hole Struggles agains Two very Clever Killers
This is another excellent, complex thriller from Jo Nesbo, featuring his tormented protagonist, Oslo homicide detective Harry Hole. This story continues a number of developments that were set into motion in the last Hole novel, Nemesis, when someone close to Harry was murdered. Harry knows who the killer is but cannot produce the evidence to make the case and it appears that the killer is going to go unpunished. The effect on Harry is brutal. As the book opens, he has descended into an alcoholic Reviewed by James L. Thane Four out of five stars This is another excellent, complex thriller from Jo Nesbo, featuring his tormented protagonist, Oslo homicide detective Harry Hole. This story continues a number of developments that were set into motion in the last Hole novel, Nemesis, when someone close to Harry was murdered. Harry knows who the killer is but cannot produce the evidence to make the case and it appears that the killer is going to go unpunished. The effect on Harry is brutal. As the book opens, he has descended into an alcoholic haze and has alienated virtually everyone around him, including his lover and his most ardent defender on the police force. He is constantly drunk, barely able to function and only days away from losing his job. Harry hits rock bottom in the middle of a sweltering summer in Oslo, when many of the other detectives are on holiday attempting to escape the heat. Then a woman if found ritually murdered in her apartment and, short-handed, Harry's boss has no choice other than to assign Harry to the case, even though Harry is clearly impaired. To make matters worse, Harry is assigned to work the case in tandem with another detective whom he hates. Harry assumes that this is the last case he will ever work and so pulls himself together, at least enough to make an effort. Five days after the initial murder, a second woman goes missing and seems clearly to be the victim of the same killer. What follows is an intellectual duel between Harry and a very clever adversary. Clearly there is a method to the killer's madness; the only question is whether Harry can figure it out in time to save other potential victims. This is a very tense and gripping story. The case itself is fascinating, and even more interesting is the psychological drama that plays out as Harry battles to control his own demons and to set right injustices that have occurred outside the boundaries of the case he is investigating at the moment. In Harry Hole, Jo Nesbo has created one of the most intriguing characters to come along in crime fiction in quite some time, and it's a pleasure to watch both Nesbo and Harry work their magic. |
Monday, May 25, 2015
Kent Starling Gets a Last Dance in Phoenix

Reviewed by James L. Thane
Four out of five stars
In 2013, Kurt Reichenbaugh gave us Sirens, a hugely entertaining mash-up of several genres set on the Florida Gulf Coast in the late 1970s. He now returns with Last Dance in Phoenix, a taut, gritty novel in the hard-boiled tradition set in the present day.
At the center of the book is an accountant, Kent Starling, who labors day by day in his cubicle, moving numbers around from one column to another in a constant effort to arrange them in ways that will please his bosses, whom Starling believes are all basically clueless idiots. His fellow employees don’t rank much higher in his estimation and so, perhaps needless to say, the job is something less than challenging or inspiring.
Things aren’t all that much better on the home front. Kent’s marriage to his wife, Denise, lost its spark some time ago and has settled into the proverbial rut; he can barely even remember the last time they had either sex or a meaningful conversation. Thus disappointed with virtually every aspect of his life, Starling makes the classic noir mistake and gets involved with The Wrong Woman, and from that point on his life begins to spiral steadily downward into a gigantic disastrous mess.
Shortly after beginning this affair, Starling receives a social media friend request from Roy Biddles, who was perhaps his closest childhood friend back when Kent was growing up in Florida. Roy was something of a loser and never much of a real friend and so when Kent joined the Air Force and left Florida, he lost track of Roy. Suddenly, though, Roy is back, demanding to be a part of Kent’s life again. He seems to somehow know a great deal about Kent’s life in Phoenix, including the fact that he’s having an affair, and he’s making only thinly veiled sinister threats about what might happen should Kent choose to ignore him.
Obviously, this cannot end well. Before long, someone will be dead and Kent Starling will have made enough stupid mistakes to be the prime suspect. Things will continue to go from bad to worse and before long, it’s apparent that not only is Starling’s freedom on the line but perhaps his life as well.
Starling confesses at one point that he doesn’t read crime fiction and that he doesn’t watch cop shows on television. Had he done so, he might have known enough not to keep making one stupid blunder after another, thus getting himself deeper and deeper into trouble.
Fortunately for the reader, though, Kurt Reichenbauch obviously has read a lot of crime fiction and knows this genre very well. The result is a fast-paced and gripping tale that will engage and entertain even those readers who are well-versed in the field—a very good read.
Monday, May 18, 2015
Jack Reacher Gets Personal

Reviewed by James L. Thane
Four out of five stars
One day in Paris someone takes a shot at the President of France from three-quarters of a mile away and damn near hits him, but a sheet of bullet-proof glass in front of the podium deflects the shot. Only a handful of people in the world could have made that shot, and probably only one American--a sniper named John Kott who was released from prison a year earlier after doing a fifteen-year stretch.
The evidence suggests that this may have only been a practice round. The leaders of the G8 nations are about to hold a summit in London where they will all be exposed to a sniper who could hit from that range and so, needless to say, the international intelligence people are having apoplexy trying to identify and track down the sniper before he can take dead aim at one or more targets at the summit meeting.
It's not clear that the sniper actually is John Kott; intelligence officials in a few other countries have identified potential suspects, but the bullet fired in Paris was American made, and, one by one, the international suspects tend to fall by the wayside, leaving Kott as the most likely suspect.
So what in the hell do you do in a case like this if you're in the CIA or the State Department or whatever and you need to find and deter Kott ASAP? Well, naturally, you put a personal ad in the Army Times asking Jack Reacher to get in touch. Then you hope that Reacher will find a copy of the paper lying around on whatever damned bus he's riding at the moment.
Happily, Reacher sees the ad and reports for duty. He was the guy who arrested Kott sixteen years early and the Powers That Be are hoping that Reacher can find him again. Naturally, if you are the PTB, you don't want Reacher wandering too far off the leash, though, and so they assign a young female analyst named Casey Nice to tag along and report on Reacher's activities.
The hunt covers a lot of ground in the U.S., in France, and in Britain and, as always, it's great fun watching Reacher confound not only the bad guys but his handlers as well. It's a gripping tale, somewhat reminiscent of the excellent The Day of the Jackal, and it moves along at a very fast pace. All in all, it's an excellent choice for a summer read, or any other season for that matter.
Monday, May 4, 2015
Dismas Hardy Lures Abe Glitsky Out of Retirement and into Trouble
Reviewed by James L. Thane
Four out of five stars
I've long been a fan of John Lescroart's series featuring San Francisco lawyer Dismas Hardy and Homicide Inspector Abe Glitsky, and so it's always a treat to open a new book in the series. Glitsky has recently been forced to resign from his position as head of the Homicide department and is at loose ends. Feeling like he's too young to be retired, he's spending his days reading, watching television, and generally being bored as hell.
On the night before Thanksgiving, Hal Chase, who is a guard at the jail run by the county sheriff, goes out to the airport to pick up his brother who's flying in for the holiday. When the two men return to the Chase house, they find Hal's two young children in bed asleep. Hal's wife, Katie, is nowhere to be found and a few drops of blood on the floor suggest that she has been the victim of foul play.
Although this begins as a missing persons case, it quickly becomes a homicide investigation, even though as yet, Katie's body has not been found. The most logical suspect in such cases is always the surviving spouse and the detectives are strongly suspicious of Hal Chase from the beginning. There were serious problems in the marriage and while Hal has something of an alibi, it's not air tight.
As a sheriff's deputy, Chase is no dummy when it comes to this sort of thing and he quickly realizes that he needs a very good lawyer. His wife had been in therapy with Dismas Hardy's wife, Frannie, and so Chase asks Hardy to represent him. Shortly thereafter, Katie Chase's body is discovered in a wooded area near their home and Hal finds himself in jail, indicted by a grand jury for the murder.
Wyatt Hunt, the P.I. that Hardy usually relies on, is out of town for a while and so Hardy appeals to Abe Glitsky to investigate the case for him. Glitsky agrees, and what initially appeared to have been a relatively simple case soon turns into something much more complex and seriously dangerous for a lot of the parties involved, Glitsky included.
While Glitsky has played a prominent role in all of the books in this series, Harding has always been the principal character, usually defending someone that Glitsky's homicide department has charge with a killing . There's usually a lot of great courtroom dramatics, and these are the things I like best about the series. In this book, though, Glitsky is really on center stage and there are no court room scenes.
It's a fun read; it's well-plotted and there's a lot of great banter among the characters, which is another attractive hallmark of the series. I enjoyed the book very much, and it should appeal to large numbers of crime fiction fans, whether they are familiar with the series or not. But as far as favorites go, this is one that will fall into the middle ranks of the books in this series for me, simply because I favor the books in which I can watch Hardy at work in the court room.
Monday, April 20, 2015
Matthew Shardlake Hunts for a Killer in Henry VIII's England
Monday, April 13, 2015
Jake Blake Goes on a Wild Ride

Reviewed by James L. Thane
Four out of five stars
First published in 1956, Wild Wives is a short but very entertaining novel from Charles Willeford, the author of Miami Blues and a number of other crime novels.
Jake Blake is a struggling San Francisco P.I. who lives in the same cheap hotel where he has his office. One slow afternoon, Florence Weintraub, the inevitable Hot Babe essential to the beginning of practically any classic P.I. story, waltzes into his office insisting that she's desperately in need of his help. Even though she's twenty-six years old, her father allows her absolutely no freedom whatsoever and has her accompanied wherever she goes by two goons who are allegedly there to protect her. She'd just like a couple of hours to herself, she says. Could Jake possibly help her lose the two thugs?
Well, of course he can, for twenty-five bucks a day plus expenses. And when the lovely Florence agrees to the terms, one thing inevitably leads to another. Florence is very attracted to Jake and once they finally elude her guardians, they go out to dinner, which Jake naturally adds to the expense account. Other more interesting activities accompany the dinner, and Florence insists that she'd like to see Jake again the following day.
Complications ensue and poor Jake soon finds himself entangled in a mess he never envisioned when he accepted Florence's seemingly simple assignment. It's an engaging story with plenty of Willeford's deadpan humor and enough action to propel the story forward at a fairly rapid clip. While not quite on a par with some of Willeford's better known books, it's still a fun read and will appeal especially to those who have read and enjoyed the author's other work.
Monday, April 6, 2015
Poor Jack Reacher Is Just Trying to Hitch a Ride...
Reviewed by James L. Thane
Three out of five stars
Late one night in the middle of winter, Jack Reacher is standing by the road on an Interstate highway cloverleaf in the middle of nowhere, Nebraska. It's cold, there's very little traffic, and he's trying to hitch a ride that will get him to Chicago, from where he can make his way by bus or train to Virginia, which is his ultimate destination.
Catching a ride under these circumstances could be difficult in the best of times, but Reacher is a huge guy (much, much bigger than Tiny Tom Cruise), and he's sporting a recently broken nose that makes him look even more intimidating. Most reasonably normal travelers aren't going to take a chance on a guy who looks like this, especially at this time of night, and fifty-odd cars pass by without stopping. Finally, ninety-three minutes after Reacher first stuck out his thumb, a car finally stops.
The car is carrying two men and one woman who are wearing matching shirts and whom Reacher initially decides are on some sort of corporate team-building exercise. He accepts their offered ride and they speed off into the night. But as Reacher listens to them talk and watches their body language, he realizes that something is clearly off-norm here.
Meanwhile, back up the road, a man has been stabbed to death in an old pumping station by what would clearly appear to be a professional killer. Two men were seen leaving the scene and the local sheriff puts out an APB. Almost immediately, though, the FBI swoops onto the scene along with some other very secretive government types. Clearly, this is more than your average, run-of-the-mill homicide.
Thus begins another action-packed page turner from Lee Child. Reacher is on top of his game, broken nose or not, and there are two very interesting female characters along with an assortment of bad guys and government bureaucrats who, as we all know, should simply get the hell out of the way and let Reacher get the job done right.
I really enjoyed the first three-quarters of the book, but this is three stars for me, rather than four, because the last quarter of the book didn't measure up to the setup. I don't want to give anything away, and so I'll simply note that the payoff seemed a bit drawn out and even a little tedious.
One always has to suspend a great deal of disbelief when reading a book like this, and I have no problem doing so. But the end of the book seemed a little over the top even for a Reacher novel and not nearly as inventive or as interesting as the climaxes of most of the other books in this series. Still a fun read, but the first sixteen Reacher novels have perhaps set my expectations a bit too high for this one.
Monday, March 30, 2015
A Very Entertaining Debut Novel from Tom Cooper
Reviewed by James L. Thane
Four out of five stars
The denizens of Jeanette, a dying community in the Louisiana bayou, have never really recovered from the devastation of Hurricane Katrina. And then, as they are struggling to get back on their feet, they are walloped again by the disaster that flows to their shores in the wake of the BP oil spill. Many of the citizens of the tiny community barely eek out a hard scrabble living as shrimpers and as the oil fouls the waters for miles around, the already beleaguered shrimping industry is dealt a devastating blow.
But these are not the sort of people who will bow to the fates and give up easily. Fiercely proud and independent, they struggle on in a variety of ways, both legal and illegal, to preserve the way of life they've known for generations. The cast of characters includes a teenage boy named Wes Trench who has been estranged from his father since his mother was lost in Katrina. Wes and his father barely communicate any more, but tradition and the circumstances of fate decree that the two must continue to work side-by-side on the father's shrimp boat, falling further and further behind both emotionally and financially.
Meanwhile, a one-armed, pill-popping treasure hunter named Lindquist, when not working his own shrimp boat, pores over maps and spends countless hours roaming the bayous with his metal detector, searching for the long-lost pirate treasure that he's certain will allow him to finally fulfill his dreams. The cast also includes a pair of seriously twisted twins who are farming high grade marijuana on an island that they guard against all comers and a couple of small-time crooks on the lookout for an easy dollar.
Throw in a smarmy oil company representative who's trying to buy off for a pittance those who were harmed by the oil spill, including even his own mother, mix thoroughly, and the result is a great read that is at times hilariously funny and at others heart-breakingly sad.
Tom Cooper has gathered together a great cast of characters and set them loose in a perfectly rendered setting. He obviously knows the people and the landscape of this region very well; he writes beautifully and the story moves along at exactly the right pace. This is a wonderful debut novel that evokes echoes of writers like Carl Hiassen, Elmore Leonard and Daniel Woodrell, and I'm already looking forward to Cooper's next book.
Monday, March 23, 2015
What the Bell Boy Saw
Reviewed by James L. Thane
Four out of five stars
Dusty Rhodes is one seriously screwed-up dude. Of course when this book was first published in 1954, no one would have thought to call him a "dude," but no one would have disputed the fact that he was a young man with some pretty nasty problems--in other words, just the sort of protagonist that you'd expect to find in a novel by Jim Thompson.
Dusty has a little bit of college behind him--how much is not exactly clear--and he had once hoped to go to medical school. But he had to drop out of school after his mother died and his father lost his job at the local high school. This is back in the days of the Red Scare, and the local crusaders have accused the elder Mr. Rhodes of signing a petition upholding the right of free speech in America. And back in that day and age, such an accusation was more than enough to get one fired from a position of such responsibility, at least in a small conservative town in Texas where the story is apparently set.
Dusty thus takes a job as the night bell boy at the Manton Hotel. He could have chosen another job at the hotel, but figuring the tips involved, this is the one that pays the most money and Dusty needs all he can get now that he's the sole support of both himself and his father who, in addition to being unemployed, is also in failing health.
Dusty is a very attractive young man, but he's only ever loved one woman and that relationship turned out very badly. He's convinced that there will never be another woman in his life but then, early one morning, Marcia Hillis checks into the hotel. She's the most beautiful woman Dusty has ever seen and he concludes fairly quickly that she is now the only woman in whom he will ever be interested again.
The Manton is a high class hotel, and they have very strict rules about bell boys fraternizing with the female guests. Up to this point, Dusty has never been tempted to chance breaking the rule, but he might make an exception in this case, especially after the delectable Ms. Hillis indicates an interest in him.
Also residing in the hotel is a small-time gangster named Tug Trowbridge. Trowbridge befriends Dusty and tips him handsomely, and any well-seasoned crime fiction reader understands that the combination of the arrival of Marcia Hillis along with the friendship of Tug Trowbridge is bound to mean trouble for poor Dusty. Dusty ultimately realizes it too, but not before he takes that fatal first step down the wrong path that always spells doom for the poor mope who finds himself the main character in a noir novel.
This book is not the equal of some of Thompson's better-known work like Pop. 1280 or The Killer Inside Me, but it's a lot of fun nonetheless. Watching poor Dusty unravel is as gripping as watching the evil schemes that some of the characters have plotted unfold, and to no one's great surprise, before long Dusty Rhodes may well rue the day he ever encountered a swell-looking babe like Marcia Hillis.
Monday, March 16, 2015
Lucas Davenport Goes to the Republican National Convention

Reviewed by James L. Thane
Four out of five stars
It's the summer of 2008, and the Republicans have selected Minneapolis as the host city of the convention where they will nominate John McCain for the presidency. Inevitably, the convention will bring to the Twin Cities, in addition to all the politicians, a gaggle of protestors, potential assassins and terrorists, street people, con artists, grifters and other assorted crooks. The cops will have their hands full, as will Lucas Davenport's Bureau of Criminal Apprehension.
Slipping into town amidst the lesser criminal talents is a high-powered gang of robbers headed by Rosie Cruz and Brutus Cohn. They have several targets mapped out, including a number of political operatives who will be sitting in their luxury hotel rooms with suitcases full of cash--in each case, over a million bucks. This is dirty money that will be passed out in blocks of untraceable cash to be used for paying street expenses during the campaign. The men with the money are sitting ducks and the best part is that, once the crew has ripped them off, they can't even report the crime because what they're doing is illegal.
Davenport, though, is alerted to the presence of the crew in town and begins the process of trying to track them down. But it won't be easy, especially in the general chaos that surrounds the convention, and when bodies start falling unexpectedly, the task becomes all that more urgent.
And, as if Davenport weren't busy enough, an old nemesis and Davenport's young ward, Letty, combine to cause even more trouble. Some years earlier, a small-time pimp named Randy Whitcomb, disfigured one of Davenport's snitches, who was a hooker in Whitcomb's stable. In retaliation, Davenport beat Whitcomb within an inch of his life and for that Davenport was forced to leave the Minneapolis PD, at least temporarily. Later, Whitcomb was shot and paralyzed by another police officer, but Davenport was on the scene for that development as well, and Whitcomb has been seething with rage ever since.
Now confined to a wheelchair and attended to by his one remaining hooker and a drug-addled sidekick, Whitcomb decides to take his revenge on Davenport by attacking Letty. Letty, who is now fourteen going on thirty-seven, trips to the plan. She's afraid that if she tells her father, Lucas will go ape-shit and kill Whitcomb, something that she thinks would not be good either for Lucas or for herself. She thus decides to handle the Whitcomb problem on her own.
All of this makes for a hugely entertaining book that's at times both terrifying and hilarious. Sandford is the master of mixing these elements, and as usual, the characters and dialog are great; the plot rolls along at a rapid clip, and
Monday, March 9, 2015
Steve Carella Hunts for the Killer of the "Calypso King"
George Chadderton is a musician who bills himself as the "Calypso King." Late one rainy September night, he leaves a gig with his manager and as the two are walking down the street someone comes up from behind them and shoots George to death. The killer also wounds George's manager in the shoulder. The manager falls to the ground and the killer stands over him and fires directly at his head. But the gun is empty and the killer is forced to flee, leaving the manager still alive. A few hours later Reviewed by James L. Thane Four out of five stars George Chadderton is a musician who bills himself as the "Calypso King." Late one rainy September night, he leaves a gig with his manager and as the two are walking down the street someone comes up from behind them and shoots George to death. The killer also wounds George's manager in the shoulder. The manager falls to the ground and the killer stands over him and fires directly at his head. But the gun is empty and the killer is forced to flee, leaving the manager still alive. A few hours later, it's still pouring rain, and a hooker who's looking for one last trick is shot to death with the same gun that killed Chadderton. Chadderton's murder took place in Isola's 87th Precinct and the case falls to veteran detectives Steve Carella and Meyer Meyer. They wake up the newly-widowed Mrs. Chadderton to give her the bad news while surreptitiously checking to see if she might have been the shooter herself. (They don't yet know that there is a second victim because the hooker was killed in another precinct and it will take a while before anyone realizes that the ballistics match.) Mrs. Chadderton is a very attractive woman who works at a topless club. She appears to be devastated by her husband's death and has no idea who might have wanted to kill him. Sadly, there appear to be no leads at all, and in investigating the victim's background, the detectives discover nothing of interest save for the fact that Chadderton's brother, Santo, seems to have disappeared into thin air seven years earlier. That's neither here nor there, and the case presents one of the toughest challenges to confront Carella and friends in any of the first thirty-three books in this series. This is also one of the best books in the series, and it first appeared in 1979. By then, McBain had really hit his stride and this is one that any fan of the series will not want to miss. |
Monday, March 2, 2015
Reviewed by James L. Thane
Four out of five stars
This is a gripping thriller with a "ripped-from-the-headlines" plot that focuses on international terrorism. At the heart of the story are two longtime friends--virtually brothers--named Valentine Pescatore and Raymond Mercer. The two grew up together in Chicago, and Raymond, who loves the glamorous, high-risk life he sees in movies like "Carlito's Way," leads his younger friend into some increasingly dangerous situations. Finally one night, Raymond asks Valentine to back him up as he attempts to rip off a drug dealer. For Valentine, that's one step too far and he walks away.
The two do not see each other again for years. Valentine goes to work for the Border Patrol and later winds up working for a private investigator in Argentina. Then, out of the blue one afternoon as Valentine is at the airport, he suddenly encounters his old friend Raymond. Is this by accident, or has Raymond contrived to engineer the meeting?
The two catch up over a meal and Valentine discovers that Raymond has converted to Islam. But what he's doing these days isn't exactly clear. The two exchange phone numbers and go on their separate ways. Only a few days later, there's a horrific terrorist attack at a Buenos Aires shopping center.
Almost immediately, the evidence points to Valentine's buddy Raymond as a possible mastermind of the attack and of others that are yet in the planning stages. With that the book is off and running as Valentine races around the globe attempting to find Raymond and head off the future attacks he may be planning. Along the way, Valentine hooks up with a sexy French agent and the chase takes them from Latin America to France to Bagdad and beyond.
It's a compelling story, mostly because it has the ring of truth about it--or at least the terrorist plots seem scarily realistic. One might debate whether a lone agent like Valentine could realistically play such a leading role in trying to break up the plots, but that's a minor point, and the story will leave readers glued to their chairs watching the action unfold. This is another solid effort from the author of Triple Crossing.
Monday, February 23, 2015
Lawrence Block Heads Across the Borderline in Thie Classic Pulp Novel

Reviewed by James L. Thane
Three out of five stars
Borderline is a recent release from the folks at Hard Case Crime that brings together a relatively short novel and three short stories by Lawrence Block that were first published in the late 1950s and early '60s, while Block was still cutting his teeth in the crime fiction business. The novel is one that reader would have found on the rotating rack of paperback "pulp" novels down at the local drugstore back in the day, while the short stories originally appeared in the men's magazines of the era.
The crimes at the heart of these stories all basically involve human beings exploiting each other in one way or another, most often sexually. The only real "crime" story here is the last, "Stag Party Girl," in which a young woman jumps out of a cake at a bachelor party and is shot to death. A private detective, who happened to be at the party, must then sort through the other guests to determine who might have killed the poor woman and why.
The short novel, Borderline, takes place on the U.S.-Mexico border where the cities of El Paso and Juarez lie astride the border only yards apart from each other. The story is set in a much earlier day and age when people crossed back and forth across the border pretty much at will, with only an occasional cursory glance from the border patrol.
A number of characters are thrown together in the two cities, including a gambler named Marty, a recent divorcee named Meg, and a young hitchhiker named Lily who has recently arrived from San Francisco and taken up hooking in Juarez as a means of earning enough money to go to New York and live out her dreams. Finally, there's a psycho named Weaver, an ugly man who's never had a friend and who now buys a straight razor and begins to live out the violent fantasies that, until now, he's only entertained in his mind.
There's a lot of sex and violence in the book, reflecting the fact that Block first cut his writing chops by turning out soft-core porn. Meg, in particular, has come out of a sexless marriage and arrives in El Paso hot and ready to experiment with virtually no holds barred. Marty, the cynical gambler, is only too happy to oblige and takes her across the border into Mexico for some experiences she'll never forget. The real borderlines here are mostly psychological, of course, and once the protagonists begin crossing them, they soon discover that sometimes there's no crossing back.
This is a book that will appeal principally to fans of Lawrence Block who, like this one, are only too happy to read virtually anything that the MWA Grand Master ever wrote. But no one should expect that it's on a par with the material he wrote later, beginning with his brilliant Matthew Scudder series. And certainly it will appeal to those who enjoy the pulp novels of this era and continue to seek them out in used bookstores everywhere. All will be grateful to Hard Case Crime for presenting these stories in this fresh edition, complete with one of the classic pulp covers that the publisher does so well.
Monday, February 16, 2015

Reviewed by James L. Thane
Five out of five stars
This is a classic hard-boiled novel, the first book in a series that would ultimately run to twenty-four books published between 1962 and 2008. The series featured a brutal, smart, amoral professional criminal known only as Parker who worked with crews of other professional criminals and usually focused on robbing banks, armored cars or other such targets. Parker was not a professional killer, although he never balked at killing anyone who got in the way of the job at hand.
He also never hesitated to kill anyone who double-crossed him, and as the book and the series open, Parker has been double-crossed in the worst possible way, shot by his wife at the end of a job and left for dead. The wife then ran off with one of Parker's partners from the job, along with Parker's share of the loot. Needless to say, Parker, who luckily survived the attempt on his life, is not in a good mood when we first meet him, and Stark's introduction of his protagonist ranks as one of the best in crime fiction.
Pissed at the world and determined to get revenge, Parker is stalking across the George Washington Bridge into New York City, a "big and shaggy" man, with "flat square shoulders and arms too long in sleeves too short....His face was a chipped chunk of concrete, with eyes of flawed onyx. His mouth was a quick stroke, bloodless."
"Office women in passing cars looked at him and felt vibrations above their nylons....They knew he was a bastard, they knew his big hands were born to slap with, they knew his face would never break into a smile when he looked at a woman. They knew what he was, they thanked God for their husbands, and still they shivered. Because they knew how he would fall on a woman in the night. Like a tree."
Parker has traced his wife to New York and arrived there virtually penniless. He's determined to deal with her and, through her, to find the partner who betrayed him and stole the money that was Parker's share of the job they had pulled.
It won't be easy, and complications ensue, one after the other. But Parker will not be deterred, even when he learns that the man who betrayed him has used his money to repay a debt to the Outfit and is now protected by them. To get his revenge, Parker will have to take on the Outfit all by himself. But what the hell does he care; he won't rest until he gets what he's owed.
Richard Stark is the pen name of Donald Westlake, a prolific writer who is otherwise best known for the comedic Dortmunder crime novels that he wrote under his own name. But the Parker novels are really his crowing achievement. They are taut, spare stories cut close to the bone and without a wasted word. And there's absolutely nothing funny or redemptive about them. Parker's is a tough, brutal and dangerous world; there's no room for any sentimental nonsense and watching him make his way through that world is one of the most enjoyable experiences in the world of crime fiction.
As a side note, this book was ultimately filmed twice, once as "Point Blank," in 1967, starring Lee Marvin as Parker, and again in 1999, as "The Hunter," with Mel Gibson in the role. The Lee Marvin Version is much the better of the two, and Marvin captures the character about as well as anyone could.
Monday, February 9, 2015
Another Very Good Addition to Archer Mayor's Joe Gunther Series

Reviewed by James L. Thane
Four out of five stars
The twenty-fourth entry in Archer Mayor's series featuring Joe Gunther of the Vermont Bureau of Investigation is among the best books in the series.
When Hurricane Irene blows through Vermont, it does millions of dollars worth of damage and causes enormous headaches for virtually all of the series' familiar cast of characters. Gunther's former love interest, Gail Zigman, is now the state's governor and has to deal with the mess and the political fallout that results. Gunther and his team must deal with a number of more specific issues.
As an example, the Vermont State Hospital is flooded and an elderly mental patient who has been confined there for years manages to escape. The woman, Carolyn Barber, is known as "The Governor" because forty years earlier, she was indeed the state's governor for a day as the result of a PR stunt that didn't turn out so well. Gunther and his team go looking for the woman but are unable to find any trace of her, save for a slipper that she lost while making her escape.
Meanwhile, the torrential rains have torn through a cemetery, exposing several coffins, one of which breaks open. The deceased who had been laid to rest in the coffin years earlier, turns out to be a pile of rocks, leaving Gunther's team to figure out what in the hell ever happened to the guy who was supposed to be in the coffin.
As if those weren't problems enough, a former state politician suddenly turns up dead at his very expensive retirement/nursing home. The doctor on the scene attributes the death to natural causes, but when Gunther learns that the former pol was connected to the missing "Governor for a Day," the coincidence seems just too great and he orders an autopsy and a full investigation.
From that point, the story proceeds along two tracks as the acerbic Willy Kunkle investigates the case of the missing body, which will turn out to have important ramifications for Willy himself. Meanwhile, the rest of the team tackles the case of the missing "Governor" and the death of the former politician. All in all, it's an interesting and entertaining read. By this point, for those who have followed this series for years, any new entry is like renewing old friendships and here, as is almost always the case, Archer Mayor never disappoints.
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