Friday, December 6, 2013

Last Night I Sang to the Monster

Benjamin Alire Saenz
Cinco Puntos Press
Reviewed by: Nancy
5 out of 5 stars


Overview
Zach is eighteen. He is bright and articulate. He's also an alcoholic and in rehab instead of high school, but he doesn't remember how he got there. He's not sure he wants to remember. Something bad must have happened. Something really, really bad. Remembering sucks and being alive - well, what's up with that?

My Review
Zach is a high school senior. He is also an alcoholic. His mom is depressed, his dad is an alcoholic, and his brother is abusive. Zach has so much pain in his young life that he blocks out the events that led to his stay in rehab.

With the help of a kind and sympathetic therapist, and his roommates, Rafael, a 53-year-old alcoholic further along in his recovery, and Sharkey, a 27-year-old drug addict, Zach begins to confront his past and discovers that life is worth living.

I connected deeply with Zach and his rehab companions. There were a lot of tears, anger and fear while Zach made strides in his recovery. He develops a strong bond with Rafael and learns that he can trust and love again. It was so easy to get wrapped up in Zach’s life and the lives of his rehab companions as they reveal their painful and heartbreaking stories.

“I’ve lived eighteen years in a season called sadness where the weather never changed. I guess I believed it was the only season I deserved. I don’t know how but something started to happen. Something around me. Something inside me. Something beautiful. Something really, really, beautiful.”


This beautifully written, powerful story is one of the best I’ve read this year. It made me cry buckets, but I’m happy Zach has a chance for recovery, hope, and a new beginning.

Also posted at Goodreads.

Thursday, December 5, 2013

France's Secret

 Sarah's Key

Tatiana de Rosnay

Four Stars

Reviewed by Zorena

Summary

Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours.

Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d'Hiv', to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life

My Review

This is a horror story of a different kind having it's roots based in real life events. A story I knew nothing about until it was briefly mentioned in The Tropic of Cancer and I read this book. The French's gathering and deportation of the Jews in France known as Vel' d'Hiv round up. Most people seem to be familiar with the German and Polish ones but this one managed to remain under the radar until recently.

Using alternating chapters of their stories helped with building an eventual congruence between the two main characters. I really would have preferred more of Sarah and less of Julia but that may have lessened the impact of how their lives intersected. I found I just couldn't get as emotionally involved with Julia's family drama as I could with Sarah's but she was needed to bring Sarah's tale to a conclusion.

How terrifying the Holocaust was but hearing it from a child's perspective just drives that home so much more. Not to mention a side tragedy which is actually the center of Sarah's story and perhaps her life changing moment and not the round up itself.


This is well worth reading for the history despite the predictable ending and somewhat lacking prose. Ms de Rosnay has some talent but needs to give her characters and stories a bit more depth.

A Sad and Beautiful Appalachian Tale

The Cove
by Ron Rash
Published by Ecco


3 1/2 Out of 5 Stars
Reviewed by Amanda

The small, isolated community of Mars Hill, North Carolina, continues to cling to the prejudices and Appalachian superstitions of another century in the wake of World War I. Its men have been to fight in foreign lands, encountered the awesome terror of modernized warfare, and yet still harbor a profound fear of a young woman who lives sadly and quietly in a place simply known as "The Cove." Laurel Shelton's life, thanks to the people of Mars Hill, has not been an easy one. Marked by the port-wine stain on her shoulder and by the misfortune of living on land that is believed to be the home of some nebulous evil, Laurel is labeled a witch and ostracized from the community--banned from the school, humiliated by the young men, and shunned by the proprietors of local businesses. It doesn't help that The Cove seems to consume everything with which it comes into contact; Laurel's parents both die under unfortunate and unexpected circumstances, the blighted chestnut trees stop producing, and there are fewer Carolina parakeets with every passing year.

When her brother and protector, Hank, leaves for war, Laurel is left alone to fend for herself on the farm and it seems as though happiness will forever remain out of her reach. But Hank returns, having lost a hand to the war, and it seems as though things might finally get better. Hank is getting married, the farm responds to his hard work, and a stranger in the woods may offer Laurel an escape from The Cove's clutches.

Ultimately, The Cove is about the danger of instinctively hating that which we don't understand. Ignorance and intolerance make Laurel an outcast and The Cove itself becomes the physical manifestation of the community's rejection of her for the crime of being "different." Just as the darkness of The Cove absorbs and destroys the beauty of its inhabitants, the human capacity for hatred destroys the most fragile and beautiful among us. To watch as Laurel slowly becomes hopeful that life will hold something better than she's been allowed to expect--to come to believe that she deserves to be allowed this hope--is painfully heart-wrenching. However, there are no happily ever afters here. Just as the cliff looms ominously over The Cove, the foreboding that something will crush this nascent hope pervades the narrative.

Rash's writing is lyrical and simple in the best possible sense; there's no poetic posturing or pretentiousness. To capture such bruised lives in straightforward, lovely language imbues his characters with a genuine and honest dignity.

Two factors prevented me from giving it a 4 star. The first is that I kept measuring this book against Charles Frazier's Cold Mountain. While Rash does a fine job of capturing the atmosphere of the place, he lacks the lush detail of Frazier's work that truly brought the land alive for me as a reader. Frazier's portrayal of two damaged characters, Ada and Inman, is also more nuanced and three dimensional. While Rash's portrayal of Laurel and Chauncey Feith (the villain of the tale, which is made clear from the introduction of this selfish, pompous bastard) is inspired, many of his other characters are little more than well-written stereotypes. The second is that the denouement seems too abrupt in its execution and, while brutal and violent, the emotional punch is lessened by how swiftly events are brought to a close.

Despite these factors, The Cove is a much finer piece of writing than much of what is out there and I look forward to reading Rash's Serena.

Wednesday, December 4, 2013

CHILD OF GOD BY CORMAC MCCARTHY

Child Of GodChild Of God by Cormac McCarthy
My rating: 5 of 5 stars

”The dumpkeeper had spawned nine daughters and named them out of an old medical dictionary gleaned from the rubbish he picked. Uretha, Cerebella, Hernia Sue.
They moved like cats and like cats in heat attracted surrounding swains to their midden until the old man used to go out at night and fire a shotgun at random just to clear the air. He couldn’t tell which was the oldest or what age and he didn’t know whether they should go out with boys or not. Like cats they sensed his lack of resolution. They were coming and going all hours in all manner of degenerate cars, a dissolute carousel of rotting sedans and ni**erized convertibles with bluedot taillamps and chrome horns and foxtails and giant dice or dashboard demons of spurious fur. All patched up out of parts and lowslung and bumping over the ruts. Filled with old lanky country boys with long cocks and big feet.”


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You could say that those country boys and those daughters of the dumpkeeper are uneducated, disenfranchised, white trash, but don’t put them too far down the rungs of the evolutionary ladder because you still need room for Lester.

If you were to compose a ballad of Lester Ballard it would not be one of heroism, of self-sacrifice, or of kindness. It would be a song of the grotesque, of darkness, and of the human mind degraded to the point of madness. If Lester were an animal. He would be a dog with rabies. You’d put him down because he wouldn’t be safe walking around with normal people.

The sheriff, after yet another issue with Lester, gives him a warning that, of course, didn’t make even the slightest impression on Lester.

”Mr. Ballard, he said. You are either going to have to find some other way to live or some other place in the world to do it in.”

What the sheriff should have done, if he’d had any inkling of what was to come, was to gunnysack Lester, and throw him in a deep river. He could have tried driving him across the state line and leaving him to be someone else’s problem, but Lester is just that kind of bad penny that always turns up again.

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2013 movie poster for Child of God

It all begins when Lester’s ancestral home is put up on the auction blocks. Now it ain’t much. There is maybe some good timber on it, and getting bids is not easy, but land will always sell. Cormac McCarthy doesn’t really say, but usually when land gets sold at auction there is a back tax issue. Lester doesn’t seem like the type that would ever think paying taxes was in his best interest. What this does is make Lester into a wandering bundle of mischief.

He steals. He spies. He plots vengeance.

Not that anyone in the county seems to have any prospects to achieve prosperity (anything above the poverty line), but Lester falls into that category of negative digits. His attempts at wooing women, let me see your titties, are met with disdain and rejection. Even the dumpkeeper’s daughters, who will hump just about anything, would crush him under the heel of a calloused foot rather than give him a whiff of the pleasure of feminine kindness.
Lester is an annoyance, but comical, inspiring the shaking of matronly heads, and laughs between men over a bottle of shine. If truth be known they think he is a troubled, but relatively harmless dumbass.

It’s not like he’d have ever thought of it on his own. It just fell into his lap. He comes across a jalopy running in the woods with the radio on. A boy and a girl with clothing disarrayed are in the backseat dead. The girl...well...she is still warm and unlike other girls she ain’t saying no.

Yeah he did it.

Lester had such a good time he brought her back to an abandoned house he’d been using for shelter. He’d been lonely of course.

”Alone in the empty shell of a house the squatter watched through the moteblown glass a rimshard of bonecolored moon come cradling up over the black balsams on the ridge, ink trees a facile hand had sketched against the paler dark of winter heavens.”

Well the girl wasn’t much for conversation, but if he brought her close to the fire and warmed her up she could almost feel alive.

”He took off all her clothes and looked at her, inspecting her body carefully, as if he would see how she was made. He went outside and looked in through the window at her lying naked before the fire. When he came back in he unbuckled his trousers and stepped out of them and laid next to her. He pulled the blanket over them.”

Just as Lester is settling into his new domestic arrangement tragedy strikes. He builds the fire too big and the whole house catches on fire. He saves his beloved rifle, the bears he won at the carnaval, and his bedding, but his new plaything, kept in the attic so she would refreeze, was lost.

Except for the fickleness of fate Lester might have remained a happily contented necrophiliac for the rest of the winter. Now summer would have brought on different issues. The smell of decay might have even put a damper on Lester’s lustful stirrings. Homeless and womanless Lester decides to try and fix both those problems.

As women disappear and the law is powerless, for lack of evidence, to do anything about Lester’s predilections, the White Caps decide to take matters into their own hands. In Indiana back in 1873 farmers started forming this secret society that would violently inflict justice on people who seemed to be beyond the law. As this movement spread South the organization took on some racial overtones and started disguising themselves similarly to the KKK. Merchants who were buying up too much land and black men who had thoughts of becoming land owners were targeted in a time when poor white farmers felt they were losing everything.

They were farmers not law enforcement officers. Lester escapes.

”He’d long been wearing the underclothes of his female victims but now he took to appearing in their outerwear as well. A gothic doll in illfit clothes, its carmine mouth floating detached and bright in the white landscape.”

Lester starts out being strange, just a bit different. Not different in an Einstein pondering the universe kind of way. More like two brain cells drifting around in his head that collide once in a while creating a spark kind of guy. Once he has been banished from any center hold in the community he becomes feral, a man caught in a permanent state of flight or fight. He becomes dangerous and unhinged. The grotesque becomes as normal to him as white picket fences are to the rest of us.

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Cormac McCarthy

Cormac McCarthy will always expose you to a form of human being that will make you uncomfortable. You will twitch in your seat. You will check the doors and windows one more time before going to bed. You will start to make a more indepth analysis of your crazy cousin Larry. You will reluctantly come away with a broader understanding of the spectrum of people making up humanity. You will question your own sanity and wonder if it is possible for you to ever be as crazy as Lester Ballard.

Would Lester have been able to stay a hair’s breadth away from insanity if he’d had one normal friend? Just one person who could give him a bead to follow. A person who could say ‘that ain’t right Lester’ at a critical moment. I do ponder questions like that late at night when I wonder if I could be stable enough and patient enough to keep someone else sane. I would probably be too practical to put myself in the path of a psychopath. We just hope the madness doesn’t find us.

I also have read and reviewed Suttree by Cormac McCarthy




View all my reviews

That Long & Winding Demon Road



Lone Wolf & Cub, vol. 2: The Gateless Barrier

Kazuo Koike & Goseki Kojima

Dark Horse Comics

Reviewed by: Terry 

4 out of 5 stars

 

 The second volume of Dark Horse’s reprinting of the saga of Lone Wolf and Cub provides plenty more action along with some deeper examinations of the politics, philosophies, and spirituality of 17th century Japan as we follow Ogami Ittō and his son Daigorō on their path along the assassin’s road. The assassin and his son gain some more depth as their story continues and we see some elements of the foundation of their odd (though obviously close) relationship, but for me it remains the secondary characters that really shine and bring life and breath to Koike and Kojima’s epic. Politics and personal scores prove to be the dominating motives for those who hire Lone Wolf and Cub and, as always, Ogami continues relentlessly on his path, fulfilling his missions to the letter regardless of the fallout he leaves behind. It’s interesting to see that at the same time that this series seems to glorify the samurai way and certainly indulges almost joyfully in the gory bloodshed of combat, there are many tacit and outright critiques of the samurai lifestyle which is founded on the Bushido warrior philosophy. The stories in this volume are:

“Red Cat”: Ogami infiltrates a prison in order to find an arsonist who burned down another prison in which he had previously been incarcerated and subsequently escaped, the result of which was the seppuku of its former warden. But is there some deeper mystery to the events behind the warden’s death?

“The Coming of the Cold”: If we weren’t quite sure of it already we get to see just how far Ogami is prepared to go along the path of meifumado even if it means endangering, or even sacrificing, Daigorō. Lone Wolf and Cub are hired to go into the snowy reaches of the mountains to assassinate a Daimyo who is willing to put his own desires ahead of the safety of his clan. As with many of the stories both already seen and yet to come in these volumes the intertwined elements of the Bushido way and the internecine politics of the Shogunate are deeply woven into the background of this story.

“Tragic O-Sue”: An interesting ‘solo-adventure’ for Daigorō in which the loveable scamp (he really does come across as an adorable little guy notwithstanding his utter strangeness) confronts a bully and proves that he is truly his father’s son. The effects of Ogami’s words and actions, all of which Daigorō has witnessed, have proven to have had a lasting effect on the child. Perhaps his father is right and even a three-year-old boy can walk the path of meifumado. Luckily for us Daigorō still exhibits some more human traits as we see his reaction to both the pity and the plight of the lowest of the low in a samurai household.

“The Gateless Barrier”: When politics and faith collide in an impoverished Han, where only the word of a holy man keeps the peasants from revolt and his demands on the nobles would mean their financial ruin and loss of face, the leaders see only one option, but can even an assassin as renowned as Lone Wolf and Cub kill a Buddha? In order to succeed Ogami must find the gateless barrier, the path that leads to his own perfection and thus reach a state along the assassin’s road analogous to the spiritual purity of a monk who may have attained Buddha-hood. This was an intriguing story delving into the concepts of mu (nothingness, negativity, nonbeing), the perfection of one’s path, and the oneness (or is it nothingness?) of all things.

“Winter Flower”: A police investigation into two mysterious deaths: one the peculiar suicide of a prostitute who seems to have been more than she appeared, the other an assassination of a couple making love at which a winter flower was left as a token ultimately leads the investigator to Lone Wolf and Cub. What connects these two deaths to each other and what, if anything, can save a police investigator and his men from the unerring sword of Lone Wolf and Cub?
 

 

 Also posted at Goodreads

Tuesday, December 3, 2013

Life and Death in Chechnya



A Constellation of Vital Phenomena by Anthony Marra
2013
Reviewed by Diane K. M.
My Rating: 5 out of 5 stars



This beautiful and haunting novel is one of my favorite books of 2013. It takes place in post-war Chechnya, but don't be alarmed if you don't know much about the Chechen conflict with Russia — the rich storytelling and the gorgeous prose will draw you in, and by the end of the book you could captivate an audience with these wartime stories. 

But first, you must meet Havaa, a precocious little girl whose father was just taken by federal forces, probably never to be seen again. Havaa ran into the woods to hide, which is why the soldiers didn't find her. The girl's mother is dead and she has no one else. A neighbor, Akhmed, helps Havaa escape to a nearby town and convinces a doctor, Sonja, to look after her. Soon our cast of characters will expand and we will meet Akhmed's wife, Havaa's father, Sonja's sister, and other residents in the village of Eldar, each of them with a story to tell.

One of my favorite characters was Sonja, a tough doctor who left Chechnya to attend medical school in London, but she returned to her war-torn country to try and help her sister, Natasha, who later disappeared: 

"Though she was the elder, Sonja was always thought of as Natasha's sister, the object rather than the subject of any sentence the two shared. She walked alone down the school corridors, head sternly bent toward the stack of books in her arms ... Sonja had more academic journal subscriptions than friends. She could explain advanced calculus to her fifth-form algebra teacher but couldn't tell a joke to a boy at lunch. Even in the summer months, she had the complexion of someone who spent too much time in a cellar. Everyone knew Sonja was destined for great things, but no one knew what to do with her until then."

Another character I loved was Akhmed, a man who studied to be a doctor but who would rather have been an artist. He jokes that he is the worst doctor in Chechnya, but he still manages to help his patients and their families, sometimes by drawing portraits of those who have been killed or taken by the feds.

Anthony Marra's writing is beautiful, with stunning sentences that made me pause and reread them. If I hadn't been reading a library book I would have underlined innumerable paragraphs. (The page-long sentence on p. 139 was so emotional and breathtaking that I actually gasped.) Each chapter opens with a timeline, pinpointing a year between 1994 and 2004, and the flashbacks illuminate what happened to our characters during the war. While the chapter focuses on one character's perspective, the stories ebb and flow together like overlapping melodies. 

This is a novel whose plotting and gracefulness I admired so much that as soon as I had finished it, I immediately wanted to start over and read it again. What details! What connections! This is the kind of novel I love to read -- one that is complex and meaningful and full of humanity and life and I wish I could give a copy to every bookish friend I know. Ann Patchett, who is one of my favorite writers, told The New York Times that this was her favorite book she's read this year. Agreed.

Note: If you're wondering what the title means, it is taken from a definition in a medical dictionary: "Life: a constellation of vital phenomena -- organization, irritability, movement, growth, reproduction, adaptation."

Humor, Friendship and Devotion

A Prayer for Owen Meany by John Irving
1989
Reviewed by Diane K. M.
My Rating: 5 out of 5 stars




This is the book that made me want to be a writer. I read it in high school after my favorite English teacher wrote down the title on a Post-It note and said, "You need to read this." I immediately went and found a copy and had it finished it by the end of the week. 

There is no way I can write a review that is worthy of this novel, but I shall try. It is the story of two boys in New Hampshire in the 1950s: the narrator is Johnny Wheelwright, whose family is wealthy; and his friend, Owen Meany. How to describe Owen? He was small and light, and he had a loud, high-pitched voice. He was smart and a loyal friend. Owen's parents were a bit odd, and his family was poor enough that the Wheelwrights often helped Owen with tuition and clothing.

The first chapter brings a tragedy: Johnny and Owen are playing baseball. Owen, who doesn't usually get to bat because he was so small, was told by the coach to go ahead and swing. Owen hits a foul ball that strikes Johnny's mother and kills her. Johnny is devastated and has trouble forgiving Owen, but they eventually make peace, thanks to a stuffed armadillo toy. (Thus explaining the armadillo pictured on some editions.)

The rest of the chapters cover the boys as they grow up and go to prep school. Owen has a gift for writing and pens some inflammatory columns in the school newspaper. There is also a hilarious prank that Owen pulls on a teacher he doesn't like, which involves a car, some athletes and a stage.

One of my favorite sections of the book describes a church Christmas pageant that goes horribly awry. Owen, who can be a bit bossy, takes over the pageant and assigns himself the role of Baby Jesus, even though in previous years it was just a doll. It's a laugh-out-loud disaster, and almost every year at Christmastime I'll pull out this book and reread the chapter.

When the boys turn 18, the Vietnam War is escalating and Owen signs up for the Reserve Officers Training Corps, which will pay for his college tuition while he serves. Owen even comes up with a plan to spare Johnny from having to go to Vietnam. Owen always has a plan, you see.

The plot slowly builds and builds, and I would describe it as a crescendo. There is a purpose to everything in the story, and by the end of the book, we understand why things had to be exactly what they were.

If you are a first-time reader of this novel, I need to warn you that there is a difficult passage at the beginning. Johnny, who is now an adult and has left the United States and moved to Canada, discusses his feelings about religion. I think this is the point where some readers get frustrated and abandon the book, but I urge you, I implore you, I beg you -- do not give up. There is a reason for it. If you can power through the discussion of churches, you will break through to a wonderful story.

Speaking of religion, I would be remiss not to mention the comparison to Jesus that Irving made. Whenever Owen speaks, his dialogue is in ALL CAPS. Bible readers will note that Jesus' words were printed in an all-red font in many editions. There are other similarities to Christ, but the less said on this, the better.

I have reread this book many times since I first read it in 1990, and each time, it moves me again. Some novels are easy to explain -- this one is not. It's a marvelous mix of comedy and drama and bildungsroman and the meaning of our lives, and I am grateful to have it in my life. I am not a religious person, but I became so attached to the character of Owen that thinking about him can make me a bit misty-eyed. He is complex and fleshed out in a way that few fictional characters are. 

Note: This book meant so much to me that I was horrified to hear that Hollywood made it into a movie. There is no way this book could be captured on film. Luckily someone had the good sense to change the title -- probably a demand of Mr. Irving -- but I have no intention of ever seeing it. I have a hobby of comparing movies adaptations with the source material, but this book is the exception. I want to remember it in its pure form. Owen would want it that way.

Until Death

Until DeathUntil Death by James L. Thane
My rating: 4 of 5 stars

Men are being murdered and Phoenix cop Sean Richardson is on the case. When an escort comes forward saying all the men were listed in her missing appointment book, Sean and his partner Maggie race against time to warn the men. But the escort has someone threatening her as well...

I know it's terribly unfashionable to talk about author behavior but James L. Thane is one of the most personable and least intrustive Goodreads Authors out there. Not only did he not try to push his book on me, I actually had to shame him into sending me a copy to review.

Until Death is James' second novel and the second appearance of Sean Richardson as well. It's been a while since I read No Place to Die but it was easy to step back into Sean Richardson's life. Sean and Maggie are back and running down leads, trying to catch a killer and figure out who's stalking Gina Gallagher.

Until Death is James L. Thane's love letter to the police procedural but manages to steer clear of a lot of genre cliches. I felt like Richardson was a good cop without being some kind of super hero. Richardson is realistically haunted by the untimely death of his wife and prefers to be alone rather than bedding anything with a pulse like a lot of detective characters. Maggie McClinton and Gina Gallagher were both well-written characters, far from the cardboard cutouts found in a lot of tales.

I enjoy being mislead and not being able to pick out the killer in detective fiction and James had me chasing my own tail a bit. I sure didn't guess who the killer was. I did figure out who was stalking Gina but that wasn't as difficult to figure out.

Another thing I like about the Sean Richardson books is the setting. It's really refreshing to read a detective story that doesn't take place in Chicago, New York, or Los Angeles. The desert setting adds a little something extra to the tale.

You remember when one of your friends in college was in a punk band that you were afraid to see live for fear of them sucking? If James Thane were a punk band, he'd be The Clash. 4 out of 5 stars.

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The Lady in the Lake

The Lady in the Lake (Philip Marlowe, #4)The Lady in the Lake by Raymond Chandler
My rating: 3 of 5 stars

A rich man hires Phillip Marlowe to find his wife. The trail leads to a resort town and another dead woman. Where is Crystal Kingsley? And who killed Muriel Chess? And what did Chris Lavery or Dr. Almore have to do with it?

The Lady in the Lake is a tale of lies, double crosses, cheating woman, murder, and a shop-soiled Galahad named Phillip Marlowe caught in the middle of it. Chander and Marlowe set the standards for slick-talking detectives for generations to come and Marlowe is in fine form in this outing, following the serpentine twists of the plot as best he can. Chandler's similes are in fine form, as is Marlowe's banter.

Since Raymond Chandler is my favorite of the noir pioneers, I feel guilty for saying this but this thing is so convoluted I stopped caring about the plot about a third of the way in and just stuck around for the Scotch-smooth prose. Seriously, this has to be the most convoluted plot from the master of overly convoluted plots. I had an idea of the connection between the two women but it took forever for everything to come together. Marlowe couldn't be blamed for not cracking the case early on since it read like Raymond Chandler was making it up as he went in between weekend-long benders.

To sum it up, the prose is up to par but the plot is a meandering mess. It's barely a 3 and my least favorite Chandler book I've read so far.

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Monday, December 2, 2013
















Reviewed by James L. Thane
Five out of five possible stars

This is the twelfth and final entry in Joseph Hansen's excellent series featuring insurance investigator, Dave Brandstetter. Published over a period of twenty-one years, from Fadeout in 1970, to this book in 1991, the series was witty and very well-written, with cleverly-plotted stories and well-drawn characters. Set in southern California, the books also captured perfectly the geography and the social and economic currents of the place and time.

What really set these books apart was the fact that Hansen created in Dave Brandstetter the first openly gay P.I. to inhabit a series like this, and neither Hansen, not his protagonist ever made a big deal out of it. Dave's sexual orientation was made clear from the opening pages of the first book, and it was simply a fact of life, just like the sexual orientation of any other detective. Dave had a love life and was active sexually throughout the series, but it never seemed intrusive or in any way out of the ordinary. In fact, Dave's romantic attachements were much more believable than those of many of his heterosexual fictional contemporaries.

As the series opened, Dave was already a middle-aged man and by the first pages of this one, he is nearing seventy. Many of the friends who populated the series with him are gone now; the others are all retired. Dave himself is not well; he tires easily and aches all over. His long-time lover, Cecil, begs him to see a doctor, but Dave dismisses the idea and claims he hasn't the time.

The story opens when a friend calls Dave in a panic. A young boy has apparently witnessed a murder and was then kidnapped by the woman he saw standing over the body. The boy, who has clearly been abused, manages to escape from his captor, whose name is Rachel Klein, and is found wandering along a beach by Dave's friend. The murdered victim, Cricket Shales, was a musician who has just been released from prison after serving time on a drug charge. He and Klein, who is also an addict, were once an item and she apparently feared he was coming back for her.

The cops arrest Klein and are ready to declare the case closed. But Dave is not so sure that Klein is guilty and so continues his own investigation of the case, even though he has allegedly been retired himself for a couple of years. In the process, he will put his own life and health in jeopardy.

The story itself is a good one, with lots of twists and turns, but in this book, the mystery takes a back seat to the health problems that are obviously ailing Dave. Along with Cecil, readers have worried over Dave's physical decline, especially in the last couple of books, and it's clear where this one is headed. As one nears the end of the book, it becomes especially hard to turn the pages and you want to linger over every last word.

When we finally reach the end of the case, and of Dave's career, it's a sad and elegiac moment. But one closes the book with a deep appreciation of what was a ground-breaking and very special series. Hansen was as good as any other crime writer of his era and this is a series that readers will remember long after they have forgotten most others.