Wednesday, March 23, 2016

AMERICAN CAESAR BY WILLIAM MANCHESTER

American Caesar: Douglas MacArthur 1880-1964American Caesar: Douglas MacArthur 1880-1964 by William Manchester
My rating: 5 of 5 stars

“The soldier above all others prays for peace, for it is the soldier who must suffer and bear the deepest wounds and scars of war.”

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Douglas MacArthur at West Point. Following in his father’s footsteps.

The blare of trumpets, the clash of arms, the screams of the wounded, the bullets whizzing through the air, and the acrid smell of cannon smoke were all part of the life of Douglas MacArthur since the day he was born. His father’s exploits hung on him like a second skin. At the Battle of Missionary Ridge in 1862, Arthur MacArthur Jr. seized and carried the regimental standard to the top of the hill and planted it. He was 18 years old and 8 feet tall. By 19 he was a colonel. By 1899 he was a Brigadier General and at the Battle of Manila. In 1901 he was a Major General and appointed the Military Governor of the Philippines.

This is a lot to live up to. It is difficult, in some cases, to see the amount of influence a father has on his son, but in the case of the MacArthur’s, you don’t need much speculation. It would have been perfectly understandable if Douglas had decided to go into a profession that was different from his father’s, but in many ways they are cut from the same cloth. Douglas MacArthur’s own son, Arthur MacArthur IV, went his own way, a polar opposite direction from his father, even to the point of being a recluse and avoiding the spotlight his father craved so much.

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MacArthur’s famous ‘I will return’ photograph. He promised when he was forced to leave the Philippines that he would return and liberate that nation. He also knew a good photo opportunity when it saw one.

William Manchester’s book covers MacArthur from cradle to grave. Douglas was a momma’s boy, but in no way did that make him weak or unsure of himself. It did make him dependent for the rest of his life on other people to do those things for him that he didn’t want to take the time to do for himself. He was an avid reader and book collector. He added to his father’s library clear up until the time the collection was lost in Manila during the Japanese occupation during WW2. I cringed along with him at the descriptions of the books turned to charcoal. His second wife, Jean, was the perfect companion. She was with him as much as possible, even following him into war zones. She and his son were both trapped with him in the Philippines and were part of his daring escape. Jean was a wife, a mother, and a constant comfort to him.

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Brigadier General Douglas MacArthur looking very comfortable with himself in 1918

MacArthur really became MacArthur on the battlefields of WW1. He was horrified by the slaughter and the useless losses of life due to the hubris or incompetence of commanding officers. He was a legitimate war hero, earning seven silver stars. By the end of his career he had been awarded almost every ribbon for heroism that was available. During WW2, troops, weary of the war and tired of being in harm’s way, referred to him as Dugout Doug, which is ironic given his propensity to put himself in harm's way needlessly. When he was asked about his insistence on remaining standing where bullets are flying by like buzzing bees or where bombs were exploding close enough to hear the whine of the shrapnel, his answer gives us a good idea of why he felt it was necessary: ”If I do it, the colonels will do it. If the colonels do it, the captains will do it, and so on.”

He is considered one of the best tacticians of World War Two. Where Ulysses S. Grant and George “Old Blood and Guts” Patton ground up soldiers in their command giving new definitions to the term cannon fodder, MacArthur developed campaign strategies with the intent of sparing as many GI lives as possible. His men killed ten Japanese soldiers for every one of their own they lost.

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MacArthur arriving in Japan to take charge.

His most remarkable work, in my opinion, was when he was overseeing the occupation of Japan from 1945-1951. He gave equal rights to women for the first time in the history of that country. He abolished adultery laws that were geared only towards punishing women. It has been estimated that he saved over 2.1 million Japanese lives with inoculations alone. He was more than a soldier during this time. He was a statesman. Though I may have questioned his ability to be POTUS in the past, after reading Manchester’s observations of his job performance during this period of time, I have reevaluated his qualifications.

MacArthur was beset with paranoia for most of his career. Some of it was based on fact. Some of it was just a highly intelligent brain with too much time to think about why he was passed over for a promotion or how a man who was once an assistant on his staff (Dwight D. Eisenhower) became his boss. I think part of the issue that MacArthur had with Washington and the presidents he served is the amount of time he spent overseas away from the politics. He was getting most of his information second hand or from telegrams that don’t always convey the full meaning of what someone means. It is so much easier to mislead yourself on what someone thought when you are reading a telegram much the same way we misinterpret text messages or emails. The human face to face element is missing and so much communication is lost when you can’t read the other person’s facial expressions.

For the most part, Washington and the command staff of the army were hands off in regards to MacArthur. He was able to do what he wanted to do and, generally, with a lot less in regards to supplies than say the generals operating in the European sector of the war.

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MacArthur still exudes that same confidence and swagger in Korea that we see in his face as a young man in World War One.

I’ve always been a bit hazy on what happened in Korea. Manchester is enamoured with his subject so he may have put a rather rosy spin on these events. It was the first modern war that the United States fought that was not really a war, but those now dreaded words... policing action. It is a first cousin to conflicts in Vietnam, Iraq, and Afghanistan, to name a few, that the United States have continued to mire themselves in clear up to present history. In World War Two objectives were clear--destroy the enemy and push them back to where they came from. In Korea, politics played such a heavy hand. The war became more about the struggles between politicians in China and the United States. The Koreans were pawns in a much larger conflict between communism and capitalism.

Terms like 38th parallel became phrases that Americans became familiar with.

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Manchester makes the case that a lot of the problems between MacArthur and President Truman stemmed from the fact that no clear objective had been handed down to MacArthur. What is considered a win? What are the objectives? I think that Truman was unsure about the right answers to those questions. I don’t think anyone expected as many Chinese to pour across the border in defense of the North Koreans either which changed the whole complexity of the situation and bordered on beginning World War Three. My uncle was in that war, and he described to me scenes of unarmed Chinese running behind the Chinese soldiers who had rifles, waiting to pick up their weapon when they were killed.

Crazy right? A type of crazy that is somehow sane in a country with people to spare.

He also told me about capturing Chinese “soldiers” dressed in rags, without wearing any shoes in temperatures below zero. The GIs would give them clothes and boots and as the trucks would leave to transport them to a prisoner-of-war camp, coats, shirts, pants, socks, and boots would come flying out of the back of the truck, out of ignorant fear that the US was merely trying to contaminate them with some deadly disease.

It was unnerving to be fighting people who were seemingly unhinged.

I can remember how irritated I was by the Rolling Stone article that lead to President Obama dismissing General Stanley A. McChrystal. Of course, it wasn’t difficult to draw comparisons to Truman’s dismissal of MacArthur in Korea. It was a very unpopular decision with the American public. In fact, Truman’s approval rating fell to 22%, which is still the lowest rating ever of a sitting president.

I think the problem lies in the amount of power that a commander has, running a war a long ways away from the civilian power in government. He has autonomy, and for most of MacArthur’s career, the president and joint chiefs of staff were willing to let him have as much power as he felt he needed. Korea was a political war, which also means that politicians were more concerned about everything regarding that war. They are worried about perception as much as they are worried about winning. Roosevelt was a man so comfortable in his own skin and also shared so many natural characteristics with the dramatic MacArthur that he could have probably handled the situation without creating a political nightmare for himself at home. Truman made assumptions about MacArthur’s intentions that also showed his own insecurities with his own political power.

MacArthur was wrong to embarrass Truman by communicating with Congress, but I really feel that he was trying to get some definitive answers about the overall objective they were fighting for in Korea. He wanted to make sure his boys were dying for the right cause. MacArthur might have been talking about WW1 when he made this statement, but it applied equally well to Korea. ”It’s the orders you disobey that make you famous.” Unfortunately, his dismissal from Korea cast a long shadow over a brilliant career.

MacArthur impressed me again in his twilight years when he begged President Johnson not to escalate Vietnam. He took one last stab at saving thousands of American lives, but unfortunately, Johnson was too insecure not to “stand up” to communism in Southeast Asia.

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Statue of MacArthur at West Point.

There is always an ending, and MacArthur had one last chance to embrace the pageantry.

”I’m closing my fifty-two years of military service. When I joined the Army, even before the turn of the century, it was the fulfillment of all my boyish hopes and dreams. The world has turned over many times since I took the oath on the Plain at West Point, and the hopes and dreams have long since vanished. But I still remember the refrain of one of the most popular barrack ballads of that day which proclaimed, most proudly, that ‘Old soldiers never die. They just fade away.’ And like the soldier who tried to do his duty as God gave him the light to see that duty.’ The word was a hush: ‘Goodbye’.

After spending several weeks with Douglas MacArthur, I have to say that when I read his farewell speech I had a lump in my throat.

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Tuesday, March 22, 2016

The Brotherhood of the Wheel by R.S. Belcher

The Brotherhood of the WheelThe Brotherhood of the Wheel by R.S. Belcher
My rating: 4 of 5 stars

I want more of this series..like yesterday.

Urban fantasy done absolutely 130 percent correctly, tons of action, fun, great characters I cared about, and a world that hinted at much deeper (which by God, he better go back to)

This tale rocked pretty much from top to bottom, seriously took me about 2 days to read. My issues are few, I only docked it one star, this was mainly due to how things wrapped up. The final act was a bit too tidy and clean, but considering I hope this is a new series, it's easily forgiven.


go buy this and buy Nightwise too, pay Mr. Belcher so he can feed my jones with new stuff.



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The Fireman by Joe Hill

The FiremanThe Fireman by Joe Hill
My rating: 4 of 5 stars

I read a ARC of this, and I am a bit torn. First of all, Joe Hill can WRITE, (well duh..) I enjoyed this book cover to cover, I loved the concept, I loved the characters, the dialogue was crisp and realistic, and the world was deep and very interesting. These are all things, checkmarks for me wanting to read your stuff and buy your book.

He hits them all, and goes way above the mark in all counts, so Kevin, you ask, what's the damn problem?

In my opinion, it all feels too familiar, Mr. Hill's writing for obvious reasons, bears a bit of his famous father's footprint. The Fireman is a great read, and will be a great movie or television show or whatever option it has already gotten from Hollywood. It is worth your time and money, but can you read it without feeling deja vu? no..

take that as you will, the strength of the story is worth the read.



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Monday, March 21, 2016

A Bit of Fry and...Fry

Fry's English Delight: Series 1 (Fry's English Delight, #1)Fry's English Delight: Series 1 by Stephen Fry
Audiobook Reviewed by Jason Koivu
My rating: 3 of 5 stars

I've loved Stephen Fry since the days when I discovered the Blackadder series, so I had to have a listen to these audiobooks, even if the subject matter is a little boring.

I doubt this will appeal to most people. It's about words and language, where they come from, what their meanings are, and why they exist. Writers and readers, that might be the limited audience scope for this.

Series 1 deals with puns, quotations, metaphors and clichés. I have a love-hate relationship to all of these language forms. Hearing their origins and such was really interesting to me. However, even I found it hard to be fully engaged through out, so I can't imagine someone who's not interested in the wordsmith arts having any interest in this whatsoever.

Fry does an excellent job guiding us through the many interviews and soundbytes used herein. The writing is quite clever as well. All in all, this is good stuff for the very few who go in for it.




Fry's English Delight: Series 2 (Fry's English Delight, #2)Fry's English Delight: Series 2 by Stephen Fry
My rating: 3 of 5 stars

I'm a big PG Wodehouse fan and his Jeeves & Wooster series is my favorite of the many...lord have mercy!...the many books he wrote over a long career. There have been numerous attempts to turn Wodehouse's work into tv shows and pretty much all have failed, at least on some level. The best attempt was a version of Jeeves & Wooster starring Hugh Laurie of "House" and his long time comedy partner, Stephen Fry. Fry's Jeeves is spot on.

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It's for this reason and many of his other great performances that I love this man and will watch or read anything by him.

So, that leads us to Fry's English Delight a brainy series about the English language. Not exactly a riveting topic for most, but like I said, I'm a Frynatic. I'm also an avid reader and writer, which are really the only kind of people I could envision this series appealing to.

Series 2 includes talk on jargon, elocution, accents, spelling, gibberish and more. Interesting topics with entertainment value. Well produced. Witty stuff from Fry as usual.


Sunday, March 20, 2016

Star Wars, Vol. 1: Skywalker Strikes

Star Wars, Vol. 1: Skywalker StrikesStar Wars, Vol. 1: Skywalker Strikes by Jason Aaron
My rating: 3 of 5 stars

In the aftermath of A New Hope, The Rebellion is struggling to get along. When Luke Skywalker comes face to face with Darth Vader on a raid, his destiny takes a turn. Who will the Empire send after him? And who is the mysterious woman stalking Han Solo?

Imagine my surprise when I returned from the inescapable Christmas morass to find this sitting in my cube.

Confession time: There were several times in my life when I binged on everything Star Wars. I've got a hundred or so action figures in a box in my basement and I've read quite a few of the Expanded Universe novels. I wasn't planning on reading this since I thought Dark Empire and Dark Empire II sucked and haven't been up for Star Wars comics much after that.

Jason Aaron's tale hit all the right beats and actually felt like a Star Wars comic rather than a comic that happened to have Star Wars characters in it. I liked the Boba Fett subplot but I loved the revelation of who was stalking Han Solo. I thought there may have been a few too many shout outs to Return of the Jedi, though, with the speeder bikes and the garb that resembled Lando's disguise.

John Cassady's artwork was spot-on for the most part, although I thought his Darth Vader could use a little work. He did a good job on the Big Three's faces, however, and did a great job on the action.

Overall, I think this volume did a good job at building the beginning of the bridge between Episodes IV and V and I'll be ready to take on more, should they cross my path. 3.5 out of 5. The Force is strong with this one.

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Friday, March 18, 2016

The Merit Birds



Kelley Powell
Dundurn Press
Reviewed by Nancy
3 out of 5 stars



Summary



Eighteen-year-old Cam Scott is angry. He s angry about his absent dad, he s angry about being angry, and he s angry that he has had to give up his Ottawa basketball team to follow his mom to her new job in Vientiane, Laos. However, Cam s anger begins to melt under the Southeast Asian sun as he finds friendship with his neighbour, Somchai, and gradually falls in love with Nok, who teaches him about building merit, or karma, by doing good deeds, such as purchasing caged merit birds.
Tragedy strikes and Cam finds himself falsely accused of a crime. His freedom depends on a person he s never met. A person who knows that the only way to restore his merit is to confess. "The Merit Birds" blends action, suspense, and humour in a far-off land where things seem so different, yet deep down are so much the same.


My Review



I read this book while on vacation in Puerto Rico, so it was very easy for me to get accustomed to the tropical climate of Vientiane, Laos and get absorbed by the foreign setting and cast of compelling characters.

There was Cam, an 18-year-old Canadian who is angry about his mother’s decision to change jobs and live in Laos for a year. There was Somchai, Cam’s neighbor and first friend in Laos. There was Nok, a masseuse struggling to support herself and her brother, Seng, while gradually developing a friendship with Cam, who is one of her clients. There was Seng, a street vendor who desperately wants to go to America.

This is Cam’s story. While we get his perspective of events, we also get a glimpse of Laos and its inhabitants through the eyes of the secondary characters. There is beauty and warmth, but also incredible pain and hardship.

As Cam grows more accustomed to his environment and his life becomes intertwined with those of Somchai, Nok, and Seng, he begins to mature, even as a tragic event complicates all their lives.

This is a lovely, descriptive story about the importance of family, friendship and community that starts at a leisurely pace, picks up speed toward the conclusion, and ends on a satisfying note.

Thursday, March 17, 2016

A Tale of Light and Shadow

A Tale of Light and ShadowA Tale of Light and Shadow by Jacob Gowans
My rating: 2 of 5 stars

Henry is a wealthy carpenter who wishes to marry the Isabelle from a pauper noble family. There is genuine love between the two, but unfortunately there is also a heinously evil father Lord Oslan between them. Lord Oslan is prideful, poor, and has no friends. For some reason he worries about what people think of him, but the truth is everyone who knows him hates him. Since Henry isn't a noble despite his wealth and the dowry he'd pay for Isabelle, Lord Oslan refuses to give Henry the right to marry Isabelle.

So A Tale of Light and Shadow isn't what I was expecting. I read the short story The Fool and the Dragonox and I was expecting at the very least more magical creatures, but sadly there weren't any. There is the slightest hints of magic with a tiny bit displayed, but it seems rather worthless. The story could basically be summed up as evil noble Dad literally ruins his daughters life. The betrayed lovers along with their friends and family run away to save Henry and Isabelle's love and all their lives.

It has been a while since I've encountered mustache twirling tie a girl to the train tracks kind of villains, but this story has two of them. I can not express enough how evil these two men actually are. Maybe no one hugged them as children or perhaps they needed to be spanked, but these guys are monsters.

One of the things that bothered me is how dumb can protagonists be. How many times does someone have to try to kill you before you stop trusting the kind things they say? For me I think once would probably be enough, but perhaps under the craziest of circumstances twice. Henry and Isabelle have that doe eyed naivete that makes you want to smack them for their sakes. They trust the evil Dad and listen to their friends when the say just hear him out or give it a try. If that's me I'm saying "do you even listen to me? That fool tried to kill me and you are saying hear him out??? You must have lost your d**n minds." But that's not Henry and Isabelle.

So the majority of the book is spent with our heroes running away. Which is awesome to read about. It's my own fault I knew the story was about a carpenter I guess I just thought he'd get powers or powerful friends. I know they say don't judge a book by the cover, but I thought the back cover was a safe haven from that counsel.

The back cover says:

An Emperor Hunts Them. (That's true)
A Dark Prophecy Betrays Them. (I must have missed that)
An Epic Journey Awaits Them. (Agree to disagree)
Six friends embark on a quest against insurmountable odds. (That's mostly true)
Only love and friendship can save them (Yet to be proven true or false)

The back cover gave me a politicians answer. Kind of true, somewhat true, some truth in it, but not 100% true.

A Tale of Light and Shadow was a disappointment and I don't imagine I'll continue with the series.

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Wednesday, March 16, 2016

MISSING, PRESUMED BY SUSIE STEINER

Missing, PresumedMissing, Presumed by Susie Steiner
My rating: 4 of 5 stars

”Misanthrope, staring down the barrel of childlessness. Yawning ability to find fault. Can give off WoD (Whiff of Desperation). A vast, bottomless galaxy of loneliness. Educated: to an intimidating degree. Willing to hide this. Prone to tears. Can be needy. Often found googling ‘having a baby at 40.’

Age: 39

Looking for: book-reading philanthropist with psychotherapy training who can put up shelves. Can wear glasses (relaxed about this).

Dislikes: most of the fucktards I meet on the internet.”


Detective Manon Bradshaw did not post this rather honest dating assessment to her profile. After all, the purpose of a profile is to actually convince men to contact her. No, she cut and pasted another woman’s profile that she thought sounded enticing. She shaved a few years off her age, because she knows very well how desperate being single and 39 sounds to men because it sounds desperate to her, too.

When Cambridge student Edith Hind goes missing, you would think a case of this magnitude would allow Manon to set aside her own problems and throw herself into the task of finding this woman, but the insecurities, the loneliness, bleed into all aspects of her life.

She sometimes bursts into tears for no discernible reason.

The case is odd from the beginning. There is next to nothing to go on. There are no easy to grasp handles, no ready made suspects, and those few peripheral people of interest who can be loosely tied to Edith have iron clad alibis. Her father is a prominent surgeon named Ian Hind. Let me rephrase that her father is Sir Ian Hind and is a doctor for the ROYAL family.

Oh crap.

There is always pressure with a case like this. A beautiful, affluent, bright white girl goes missing, and the press is already up everyone’s nostrils for information, but then you add in a prominent family with ties to the Crown, and suddenly everyone has to think about more than just doing their job. They have to think about covering their arses. They have to think about the future of their careers. They have to consider that one misstep might have them brushing up their CVs for a career outside of government work.

A body washes up from the river, a young man, a young black man.

Somehow it seems tied into the disappearance of Edith Hind, but there are too many pieces missing from the puzzle. Drugs would be one angle, but according to everyone who knew her, drugs were not of interest. She did causes, not drugs. She was almost militant about saving the planet and participated in city lot gardens. She grew chard. She beat people over the head with chard. Look at me, I grow Chard! She was a self-serving narcissist.

Spoiled little rich girls have time to fuss around with growing chard in abandoned city lots, but most of the rest of the world has to spend their time worrying about making a living, or if you are a 39 year old police detective, finding yourself a man to make babies with. She finds a man, unexpectedly, the natural way but loses him over a few ill chosen words.

”One minute you are loved, and then you are not.”

We spend most of our time with Manon, but Susie Steiner also devotes chapters to the other characters, the members of the police team, the parents, Edith’s best friend Helena, and her handsome boyfriend Will. We meet Tony Wright, convicted rapist, who is a cool cucumber under interrogation. He knows something; everyone knows something, and slowly, methodically the pieces start to fall into place. This is such an authentic police procedural that I felt like a fledgling recruit for the Cambridgeshire Police Department.

The characters are all fully developed. Within a few chapters, I felt like I knew Manon, that I could pop down the street and take her out for a beer so she could cry on my shoulder about the latest bloke she met online. Edith’s mother Miriam is particularly well drawn.

”He has been crying in his study. She heard him on her way up the stairs an hour ago, had stopped, one hand on the banister, curious to hear his upset expressed. Man sobs are so uncommon, they were quite interesting. His were strangulated, as if his tears were out to choke him. Hers come unbidden, like a flood, dissolving her outline, and it’s as if she has failed to stand up to them. A weakness of tears.”

Miriam feels weak, but she will prove to be strong. ”Fear is physical.”

The depth of the characters is impressive. Steiner reveals their souls and clothes them in truths.

This book transcends genre. To call it a mystery or a detective novel or a thriller is too restrictive. This is a book that will appeal to readers who want more than just a clever plot or a likeable protagonist. This book has those qualities, but also has lyrical, insightful, honest writing that insures that you will be thinking about this book and these people for a long, long time. There is a twist that will knock you on your arse, and then just as you stumble to your feet, the second twist will knock you back down again. It’s ok though because you will probably need a few minutes of staring at the ceiling, letting these revelations unravel what you thought was true and start a new strand of understanding.

The buzz is going to grow as more and more readers discover this book, so put a kettle on, put out a plate of cookies, and let yourself become part of the buzz.

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HHhH by Laurent Binet

HHhHHHhH by Laurent Binet
My rating: 4 of 5 stars

”This is what I think: inventing a character in order to understand historical facts is like fabricating evidence. Or rather, in the words of my brother-in-law, with whom I’ve discussed all this: It’s like planting false proof at a crime scene where the floor is already strewn with incriminating evidence.

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I don’t know how to describe him any other way except that he has a punchable face.

This is a book with a plot ensnared in the arduous process of conceiving a historical novel. Laurent Binet is writing about the assassination of the Nazi Reinhard Heydrich and the men who killed him in Prague. Binet shares with us the concerns he has with taking too many liberties with what is known truth and what are his reasonable speculations. Was Heydrich riding in a forest green car or was it black? Does it matter?

His girlfriend Natacha reads the chapters as he writes them. She is involved in the process to call him to task whenever he breaks one of his own rules about writing historical fiction. ”When she reaches the second sentence, she exclaims: ‘What do you mean, “the blood rises to his cheeks and he feels his brain swell inside his skull”? You’re making it up!’”

He sheepishly deletes the line, but then later in the day he puts it back in because every other line he tries to replace it with lacks... precision. Oscar Wilde has that famous quote regarding this exact predicament: “I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again.”

Of course, Binet doesn’t know exactly how Heydrich may have reacted to a piece of bad news, but he does know that, given what he has read about him, more than likely anger, dark consuming anger, is the only way that someone, especially as disturbed and self-absorbed as Heydrich, could react. He was picked on as a child. He was called ‘the goat’ due to his appearance and his awkward sounding voice. The anger against humanity could have begun there. The question is, did his childish tormentors create him or did they sense on some feral level that he was going to be the architect of something evil? No one could have guessed the magnitude of the holocaust that he was going to unleash. He acquired many more nicknames once he found his home in the Nazi party: ”the Hangman, the butcher, the Blond Beast, and---this one given by Adolf Hitler himself---the Man with the Iron heart.”

The Nazi party attracted the outcasts, the angry, the perverted, and the brilliantly demented. They were men who wanted to have power over people and dreamed up creative ways to hurt them, but even among them, Hitler had to look for a man cold and calloused enough to exterminate legions.

Reinhard Heydrich was the perfect man for the job.

I want to return for a moment to Binet’s struggles with speculating about Heydrich’s physical reaction to a particular piece of bad news. Nonfiction in many ways fails to tell the truth by the very process of stripping away all the elements that are not known. We know that things are discussed, but usually those dialogues are not recorded for posterity. A good writer will read everything he can find on a historical person he plans to use in a novel. She will read everything she can find about the period. He will read letters and diaries to glean bits and pieces of information that will lend more authenticity to his novel. She will know the type of pen that was in the hand of a letter writer or the shapes of stains on the walls of a prison cell or the color of frilly underwear a mistress wore for her German lover.

When a writer has done this much research, he knows instinctively (although still subjectively) how a historical figure will react to a situation. Reasonably accurate dialogue can be written, most assuredly better written than the original discussion. The point of historical fiction is to make people come alive more than what can be accomplished by staying strictly within the facts of what is known.

I do appreciate it when a fiction writer does not alter events known to be true. Though even that I can forgive if they notate those deviations in the forward.

 photo Heydrich20Car_zps55cm1onl.jpg
Was the car dark green or was it black?

Reinhard Heydrich is a man ripe for assassination. He is careless and frequently seen riding around Prague in a convertible car without bodyguards. The people who know him despise him, and the rest of the world would, too, if they knew what he was doing. ”Heydrich is well aware that everyone considers him the most dangerous man in the Reich, and it’s a source of vanity for him, but he also knows that if all the Nazi dignitaries court him so insistently, it is above all to try to weaken Himmler, his boss. Heydrich is an instrument for these men, not yet a rival. It’s true that in the devilish duo he forms with Himmler, he is thought to be the brains. (‘HHhH,’ they say in the SS: Himmlers Hirn heisst Heydrich---Himmler’s brain is called Heydrich.’), but he is still only the right-hand man, the subordinate, the number two.”

He is dangerous because he is ambition twined with ruthlessness.

Binet will introduce us to the assassins. They are men from Czechoslovakia and Slovakia, who are willing to risk their lives parachuting back into enemy territory to kill a man responsible for so much misery. As he gets to know them, he becomes attached to them. He wants to save them. He wants to write their life after their acts of heroism. He could create a hidden door that will allow them to escape. He could change the circumstances and give them a chance to fight their way clear...but then that would be breaking the rules.

 photo kubis_gabcik_zpsr7a4r6lw.jpg
Jozef Gabčík and Jan Kubiš, young men who proved too much for Heydrich.

I remember years ago H. W. Brands, who frequently shows up on the History Channel, was discussing the death of Lincoln. He must have been researching him for his Ulysses S. Grant biography, but one of the things that he talked about that really stuck with me was that he found himself tearing up as he wrote about the assassination of Lincoln. That event that he knew so well still inspired an emotional reaction in him that caught him by surprise. As writers, we would love to write a new ending, but of course, in the case of Lincoln, he couldn’t have died at a better time to insure his legacy.

This book was a constant struggle to write. Binet tries to adhere to his own self-imposed rules. He questions everything he has written. He wants to do it right. His perspective outside of the novel shifts. I can relate to that. I question my life all the time. Why do I do this? Why don’t I do that? Is what I write really worthwhile? Will someone see through the facade and ridicule me? Am I worthy of the subject?

”When I watch the news, when I read the paper, when I meet people, when I hang out with friends and acquaintances, when I see how each of us struggles, as best we can, through life’s absurd meanderings, I think that the world is ridiculous, moving, and cruel. The same is true of this book: the story is cruel, the protagonists are moving, and I am ridiculous. But I am in Prague.”

I am frequently ridiculous.

I want to close with one last quote from Binet about the responsibility that writers feel for those they leave in the shadows.

”Worn-out by my muddled efforts to salute these people, I tremble with guilt at the thought of all those hundreds, those thousands, whom I have allowed to die in anonymity. But I want to believe that people exist even if we don’t speak of them.”

Sometimes though, a writer can pluck a person, let’s say one who is buried in an unmarked grave with 33,771 other Jews in Kiev, and sheath him in flesh, pump blood into his veins, and free his tongue so he can tell a story left untold.

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Tuesday, March 15, 2016

Avengers vol 1 : Avengers World by Jonathan Hickman, Jerome Opeña (Illustrator), Adam Kubert (Illustrator)

Avengers, Vol. 1: Avengers WorldAvengers, Vol. 1: Avengers World by Jonathan Hickman
My rating: 5 of 5 stars

This is how you do big ideas and play "long ball" story telling in mainstream comics, I love the form, and as a lifelong fan (at least 35 years) I understand the constant rebooting of comic lines, sales are key.

But you remember when story and art were key? Mr. Hickman's Avengers is my second favorite Avengers story, It nails characters, it spans worlds, great dialogue, great action and all around worth reading.


Read the whole story, start with one read it till the end, pick up New Avengers and Ultimate Avengers too, I shall not steer you wrong.

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