Monday, June 15, 2015

Another Very Engaging Tale from Jack Lynch





















Reviewed by James L. Thane
Four out of five stars

Somehow I managed to miss Jack Lunch's series of crime novels featuring San Francisco P.I. Peter Bragg when they were first published some thirty years ago, and so I'm especially grateful to the folks at Brash Books for discovering and re-releasing these titles.

Pieces of Death is the third book in the series, following The Dead Never Forget and The Missing and The Dead. In this case, a friend that Bragg knows from a local newspaper asks him to serve as a bodyguard for a guy named Buddy Polaski, who's flying into San Francisco International Airport from New York that afternoon. The friend is a little vague as to why Polaski might need someone to protect him and so Bragg takes his .45 along just in case.

A lot of good that does him. He meets Polaski; they have a quick drink and then go to the baggage carousel to pick up Polaski's luggage. As Polaski grabs his suitcase, two guys race up and pump him full of lead. There's not much that Bragg can do; understandably, pandemonium ensues in the baggage claim area and Bragg doesn't dare return fire for fear of hitting an innocent bystander. He chases after the hit men, but they jump into a waiting car and make their escape.

Why would the men have targeted Polaski and what would they have wanted? There's nothing in his luggage that would suggest a reason for his murder. With his dying breath, the man leaves Bragg with a cryptic message but he expires before Bragg can figure out what in the hell the guy was trying to say.

Bragg's client, Harry Shank, is equally cryptic. He and the departed Mr. Polaski were working some sort of a deal and Harry won't trust Bragg with the details. But Polaski was supposed to be bringing something very important for the consummation of their deal and it wasn't in his luggage. Harry wants Bragg to stay on the job, decipher the message that Polaski was trying to give him, and recover the missing items.

Bragg agrees and sets off on an investigation that very vaguely suggests overtones of The Maltese Falcon. It turns out that there are a lot of other players in this drama, including someone's very sexy wife who has designs on Bragg, and a younger, more innocent, woman who has something of the same idea. Naturally, Bragg can't trust any of these people and the story takes any number of unexpected twists and turns.

The result is another very enjoyable tale from an author who has since died but who nonetheless deserves a wider audience. Peter Bragg is a great protagonist: tough, smart and witty, and this is a book that will appeal to large numbers of crime fiction fans.

Hellishly Good

Paradise LostParadise Lost by John Milton
Reviewed by Jason Koivu
My rating: 5 of 5 stars

Who but a blind man could so vividly write of the darkness of Hell?

Paradise Lost is fire and passion. It is the pinnacle and the bottomless pit. It is the struggle for all that is good. It is the struggle within the evil of all evils.

In the mid-1600s John Milton, aging and gone blind, dictated his most famous work, Paradise Lost, an epic poem that harkens back to Homer and Virgil. It not only tells the so very well-known story of Adam and Eve, it also describes the downfall of Satan in dramatic fashion. The empathy shown for this most famous of fallen angels is, for me, one of the most outstanding sections of this early work of English literature.

Epic is a laughably overused word these days. However, the depiction of Mammon and Beelzebub marshaling their demonic minions for the coming war is the stuff of ancient epics.

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Tolkien and Lewis most definitely borrowed heavily from these passages of Milton's when penning their own epics.

The language has aged. Some of this is archaic and occasionally difficult to understand. But stick with it and you shall be rewarded.





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666 Silliness

The Satanic BibleThe Satanic Bible by Anton Szandor LaVey
Reviewed by Jason Koivu
My rating: 2 of 5 stars



Why did I buy The Satanic Bible way back when I was a teenager? Well, it's like this...

Rock music has always been seen by some as a source of evil and there's a history of musicians who supposedly sold their souls to the devil.

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There were rock & roll "gods" like my hero Jimmy Page, who it is rumored followed occultist Aleister Crowley. As a guitar playing teen I idolized them and wanted to be them to the point of buying a book like this. I wondered, was there magic within? Would the devil make me a rock god, too? Or just getting me laid would be cool...

I expected sex, blood, magic, horror, demons, and more sex and way more magic.

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womanbaby

Then I read it and what I got was more like...

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(Just to the left of the clock I believe is George Bush #2 and that's pretty satanic in and of itself.)

Honestly, this book is just not as exciting as I'd hoped. I'm sure it would scandalize a churchy type, but it didn't do much for me.

It didn't start well. Right up front you learn that Anton LaVey, the founder of the Church of Satan, was a carny. A carny who gets his panties in a bunch because he sees men being pious hypocrites, so he shaves himself bald and starts a cult, no sir, that is not a good start to a new religion.

There's a foreword by a journalist, who describes meeting and getting to know LaVey. I thought this was a nice touch. It showed a more human side to the story. I'm one of those people that believe journalists should be unbiased, people who you can rely on to give you the facts, just the facts. But then you learn this particular journalist became a high priest in the Church of Satan, and well, that kind of crushed his unbiased credibility.

Moving on to LaVey's theories and ideas, we see some ridiculousness and some common sense. On the one hand, I very much doubt LaVey would want to live in the world of chaos that his vision would create. "Do whatever you want" sounds fun, and certainly some people do need to lighten up, but when you live in a world of chaos (I spent sometime living in a house run by anarchist punks, so I got a taste of what that'd be like) you learn the value of a few basic societal rules. LaVey's militant eye-for-an-eye-and-then-some (Meaning he believes you strike down those who offend you with even greater force) outlook coupled with a world of chaos would've put LaVey himself in harm's way very quickly.

The first half of the book expounds upon his theories. This section is much more relaxed than I expected. He speaks off the cuff, using slang and humor. It's an interesting approach to the writing of a religious text. Definitely a relief from the stuffy Holy Bible. By the way, any Satanists reading this can relax. Yes, I'm bagging on your boy a bit here, but I also think Christians are ridiculous, too. I'm one of those people who has faith in themselves, that they will do the right thing. So far I'm doing all right. Haven't murdered any one yet!

Later The Satanic Bible gets into the whole "spell casting" thing, the reason I bought the damned book in the first place. Much is made of sex, blood essence, speaking accursed names aloud and none of it was as cool as I'd hoped. I did like that LaVey calls out the people who sacrifice animals as cowards for not having the balls to draw their own blood for these rituals.

The last half of the book is a very short, quick read. There's barely more than a dozen lines on some of the last hundred or so pages. Sometimes it's just a title page or one simple sentence and blank space on the back side. This was done for aesthetics and it's a big waste of paper. The book would be a lot smaller otherwise.

All in all, I think Christians get their panties in a bunch over nothing much here. And as LaVey says, they need Satan. It's the Yin and Yang. God, Jesus and the other goodie goodies have to have a counter point. The good guys need the bad guys.

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Friday, June 12, 2015

Bait

Alex Sanchez
Simon & Schuster Books
5 out of 5 stars
Reviewed by Nancy



Summary


After Diego lands himself on probation for fighting, he doesn't trust his probation officer, Mr. Vidas. But as he begins to open up, Diego realizes that he needs Mr. Vidas's help to get his anger under control. To do that, Diego will need to face the nightmares from his past head-on and confront the memories he's been avoiding. Will anyone even believe him if he tells the truth about his stepfather? Award-winning author Alex Sanchez writes about a teen's very real struggle to overcome his anger and take control of his life.


My Review


Diego is a good kid. He studies hard, he takes care of his little brother, Eddie, and most of the time he minds his mom. Diego gets in trouble when he punches a gay classmate after he looks at him funny and winds up on probation.

Distrustful of his probation officer at first, Diego eventually opens up and reveals painful details about his past. Vidas is patient and understanding, and after a few sessions, he learns that there are very serious issues hiding under Diego’s angry exterior. Vidas functions more as a therapist, helping Diego learn to manage his anger, accept himself, and learn to trust others.

This was a fast-paced and easy read, but the story dealt with a lot of serious subjects which were handled very sensitively. I liked Diego a lot and wanted him to stay out of trouble. The secondary characters were believable and well developed – Kenny, his best friend, Ariel, a girl in school he had a crush on, his mom, and his stepfather.

A powerful, compelling, and emotionally evocative story with a very hopeful ending.

Highly recommended!

Wednesday, June 10, 2015

SERENA BY RON RASH

SerenaSerena by Ron Rash
My rating: 4 of 5 stars

“A kind of annihilation, was what Serena called their coupling, and though Pemberton would never have thought to describe it that way, he knew her words had named the thing exactly.”

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Bradley Cooper and Jennifer Lawrence play the power couple in the 2015 movie.

George Pemberton brought back a wife from Boston. More than a wife, more of a force of nature as dangerous as a witch and as pretty as an angel. He feels stronger with her by his side, and though never a man lacking in confidence, that self-assurance is further emboldened by the Machiavellian counsel of his new wife. Before going to Boston to marry Serena, Pemberton fathered a child on a young girl named Rachel, a worker in the timber camp. When he returns after basking in the glow of his new wife, he can’t understand why he ever found Rachel attractive. In a place where women age quickly, her youth was her banner of attraction, but now he has Serena.

Rachel had a boy, the spitting image of Pemberton.

Rachel pays the price of her dalliances with Pemberton, not just with having an illegitimate child which seems potentially punishment enough, but by the condescending judgment of the other “Christian” women in the camp. What was she to do, tell him no? The women refuse to speak with her or even sit with her at lunch as if the taint of her sin could pass to them.
”She realized that being starved for words was the same as being starved for food, because both left a hollow place inside you, a place you needed filled to make it through another day.”

It is really hard to like people sometimes.

On the other hand, it is very easy to like Rachel. If one zig or zag of life had went a different direction, most of those women spurning her could have found themselves in a similar circumstances or worse. Compassion is something we all need from time to time, and though some of our bad fortune may be left at our own doorstep, rarely is anything all our fault. Sometimes fate just shakes out a pair of snake eyes.

There is this moment where Rachel is out in the middle of nowhere, slightly astray, but temporarily free from the burden of anxiety. ”She looked at the stars and they brightened and dimmed in accord with her breathing, as if one hard puff might blow the whole lot of them out like candles.” So much of our life is spent just stumbling forward barely noticing what is in front of us, but because she stopped, even ever so briefly, and looked at the stars, Rachel brought the universe to the cusp of her lips. Maybe some of that was in the attraction Pemberton once felt for her.

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The right pet for the lady that wants to be taken seriously.

Serena is almost mythological among the men of the timber camp. She rides around with an eagle perched on her arm. She sends the bird out to kill rattlesnakes to reduce the number of bitten workers. The men admire her, lust after her, and fear her. “He (George) suspected the workers thought of Serena as beyond gender, the same as they might some phenomenon of nature such as rain or lightning.” Men who cross Pemberton or even men who get in his way start having mishaps. The Pembertons become richer and more powerful. In the backwoods of North Carolina, they can get away with...well...anything.

One good man isn’t enough to stand up to them. It takes a community, but this is 1929 and everyone is more afraid of losing their job than they are at stopping wickedness especially when the devil and his handmaiden have the keys to the gold.

Pemberton has a loose moral code. Well it’s not really much of a code per say as a philosophy of life. It is more of a what’s best for Pemberton code, and any soft edges he might have once possessed have been turned jagged with the steady influence of Serena. From the beginning, she seduces him with her sexual assurance and her focused intelligence. He has never met anyone like her, and fortunately for most of humanity, there are few like Serena.

As they get away with the worst of crimes, it only encourages them to do more. Every villain or villainess needs a henchman. When Galloway loses a hand, he expects to be sent down the road to a life of poverty and despair until Serena offers to keep him on the payroll as long as he is willing to do whatever she needs done.

He is understandably grateful, but there is only so much a man should sell of his soul to keep his place on this earth, and certainly Galloway decides to sell more than what any man should.

Pemberton is kept more and more in the dark as Serena clears a path for him. The swath she clears is not unlike the surface of the North Carolina hills after they are done harvesting trees. ”The valley and the ridges resembled the skinned hide of some large animal.”

When Serena loses a child and learns she can’t have more, she is upset for now there is someone who has given Pemberton what she can’t. She turns her thoughts to the child and the mother. Rachel has to run with the specter of the one armed man haunting her at every turn. ”Briars grabbed her legs and each time there was an instant she thought Galloway had her.”

Will Pemberton finally do something? Or is even this beyond his control? Is he willing to sacrifice his only offspring on the altar of Serena? Is this one time when God deigns to throw a glance at the workings of man or in this case... one woman?

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George, there are things you can live with and there are even things that YOU can’t live with.

Uriah Heep is always the first villain of fiction that comes to my mind when I think of a character that gave me the most chills, but Ron Rash’s creation, Serena Pemberton, certainly goes on the list. We are all born with a natural need for self-preservation. We have varying degrees of things we are willing to do to save ourselves. This can even be applied to less immediately dire concerns, like bettering our position in a financial or social way. There is something feral about people like Serena who perceive all threats or nuisances as equally threatening, whether it be a true rival or just a person who has become less useful. We’ve come to accept ruthlessness in a certain kind of man, but we still find it jarring when a woman is the one capable of being so merciless.

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Tuesday, June 9, 2015

Rashomon: And Other Stories

Rashomon: And Other Stories Rashomon: And Other Stories by Ryƫnosuke Akutagawa
My rating: 3 of 5 stars

In a Grove: A man is found stabbed to death in a grove. Some people of interest and the key players give their accounts.

Yeah, I'm a fan of this. Lots of narrators with varying degrees of reliability. If the other stories are this good, this collection is going to be stellar.

Rashomon: A samurai's servant sits under the Rashomon during a rain storm, pondering whether he should become a thief or starve to death.

I didn't like this story as much as the first but it was still interesting. I never thought of making wigs in that way.

Yam Gruel: Goi, a samurai who is the butt of everyone's jokes, has a life-long craving for Yam Gruel. But what will he do when he's offered all he can ever eat?

This was an odd one, more like a fable than the previous two. I felt bad for Goi and really hoped he'd go on a killing spree but, alas, it was not to be.

The Martyr: When the umbrella maker's daughter becomes pregnant, everyone suspects, Lorenzo, the orphan raised by Jesuits.

Huh. This was an odd one about protecting the people you love at all costs.

Kesa and Morito: The tale of a love triangle from two of its participants. This was another story with unreliable narrators. It was well written and fairly twisted.

The Dragon: An old man tells the story of a big nosed priest named Hanazo and the prank he played on a village that backfired.

All in all, this was an enjoyable collection. By far, my favorite tales were In a Grove and Kesa and Morito, the two unreliable narrator tales. The others were good to mediocre. 3.5 out of 5 stars.

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Monday, June 8, 2015

The Detectives of the 87th Precinct Tackle Two Unnerving Cases






















Reviewed by James L. Thane
Three out of five stars

In this installment of the 87th Precinct series, the precinct's male detectives spend their days and nights hunting someone who is killing young women and then hanging their bodies from lampposts around the city. They are assisted in their investigation by Fat Ollie Weeks of the 83rd Precinct and, as always, this is something of a mixed blessing.

Meanwhile, Eileen Burke of the Rape Squad is undercover, attempting to catch a particularly sadistic rapist who continues to attack the same few women over and over again. Burke is acting as a stand-in for one of the victims, hoping that she will be able to decoy the rapist into attacking her and that this will give her the opportunity to arrest him.

As always, the story is well-written; the police procedures are interesting and the by-play among the detectives is entertaining. But there's a certain creepiness factor involved with both storylines that kept me from enjoying the book as much as I otherwise would have. I'm not normally overly sensitive to this sort of thing, but in this case McBain is so good at creating truly repulsive situations that I found myself wanting to cover my eyes at some points. Thus three stars for me rather than four.

Honestly, It Didn't End All That Well

All's Well That Ends WellAll's Well That Ends Well by William Shakespeare
Reviewed by Jason Koivu
My rating: 3 of 5 stars

All's well that ends well...sure, but does it really end well? Really?

A simple maid with the one remedy for what ails the king, cures him and receives as her reward the hand in marriage of a high-born courtier. The groom-to-be won't submit to wed such a lowly personage, nay! His refusal is seen as base and tarnishes his reputation, so he flees to the wars, for it is through deeds of bravery that he will redeem himself. Slight of hand and high japery set the scene for misunderstandings and tricky ruse de guerre in the realm of romance. Will they or won't they?!

A very fairytale story, that! Shakespeare tries to transform it into something a more realistic, but in the process creates a strange brew of the two.

What never rises above the land of make believe, imo, is that the simple maid ever finds attractive and purposefully pursues the asshole groom-to-be. This portion of All's Well That Ends Well parallels the Lizzy and Darcy struggle from Pride and Prejudice, except that it never quite makes enough to sense to satisfy this reader. Shakespeare fails to bring the couple together in a realistic way. In the end it's a flippant one-liner that switches hate to love. Is this a cop out? A comedy shortcut? Or just poor writing?

Maybe it doesn't really matter, because quite clearly this framework is meant to be a vehicle for the "comedy" strewn about the middle of the play. I used quotations around comedy, because I'm sarcastic like that. While cowardice can be comical, I don't find kidnapping, hostage threats of torture and death, and weaselly traitorous admissions to be hilarious good fun...well, for a little while, maybe. The scene with Parolles drags on and on, and we get it right off the bat, the guy's a coward. Yes, this scene is important for the big reveal at the end, but man does it go on too long.

It's failures like the above that kept me from loving this play like I have others. It's not bad, just not brilliant.

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Friday, June 5, 2015

Only the Lonely


Gary Zebrun
Alyson Books
Reviewed by Nancy
3 out of 5 stars



Summary



Asim, gay and 19, is ready to bust out of his rundown steel town, Lackawanna, N.Y., for the University of Michigan. Even the cherished family business — a movie house called The Bethlehem — and its nightly dose of celluloid dreams no longer captivate him. But the bright future he envisions is turned upside down when his father dies and leaves him with the keys to the theater and the job of caring for the old man’s Russian lover. As if he needs another problem, he discovers that his brother Tarik is headed off to some kind of training camp in the Afghanistan desert, and when he returns, he ensnarls Asim and others in a dangerous fanaticism that peaks on September 11, 2001.


My Review



I found this book by accident at the library. Its title and the blurb on the back that mentions three people bound together by their love for movies caught my eye.

There is Asim, a 19-year-old gay man, who wants to leave Lackawanna, NY to attend college. His father, Badru’s, death and final wishes prevent him from doing so. There is Sonia, Badru’s longtime mistress, now sick with Parkinson’s disease and a failing memory. There is Asim’s brother, Tarik, who is a Muslim extremist and alienated from his family’s “heathen” ways. And then there is Billy, who drinks at the pub across the street from the theater and falls for Asim.

The story is told in flashbacks and jumps back and forth between characters. Sonia and Asim are especially well-drawn, both of them lonely and seeking escape in movies. This grim family situation is set against the backdrop of a bleak industrial town with its decaying movie theater, dingy pubs, neglected buildings, and old memories.

I knew this was going to be a sad story. I just didn’t know it was going to be so unremittingly depressing.

Thursday, June 4, 2015

THE KIND WORTH KILLING BY PETER SWANSON

The Kind Worth KillingThe Kind Worth Killing by Peter Swanson
My rating: 5 of 5 stars

”Truthfully, I don’t think murder is necessarily as bad as people make it out to be. Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner than God intended? And your wife, for example, seems like the kind worth killing.”

We are brought up to believe that murdering someone is the worst thing we could ever do, but is it? If a person is leaving a wide wake of broken hearts and battered spirits and in some cases much, much worse, is it really the worst thing we can do for all of humanity to give that person a nudge towards the afterlife? Of course the question remains, are any of us capable by ourselves of being the defense, the jury, the prosecution, and ultimately the judge?

When Ted Severson sees Brad Daggett, a man he has been paying an abundant amount of money to build his dream house, bend his wife, Miranda, over a table and have consensual sex with her, it sets off a string of events that...leads...to...murder.

At the very least Brad should have offered Ted a discount.

Okay, so the guy is banging your wife. She signed a prenup. That silly bitch isn’t getting one more thin dime out of you. You just need to go get drunk, maybe call up an old flame and have some unsatisfactory revenge sex, and call your lawyer in the morning.

Not Ted. He can drink like a fish, martinis in fact, line them up from here---------------to here, but mostly he just simmers on what he saw. He even tries to convince himself that what he saw wasn’t exactly what he saw. Brad was just trying to...nope... not even after six martinis can he convince himself that Brad was doing anything, but SHAGGING his wife.

Ted wasn’t sure what he was going to do until on a plane flight home he met The Lily Kintner. Maybe it is because she is beautiful and receptive to him, or maybe it is just because he has to tell someone and usually a stranger is much easier to spill your guts to than a friend. She doesn’t react the way he expects. In fact, she tells him that his wife sounds like the kind worth killing.

You’d never know to look at her, but Lily is an unusual young woman. She is a woman who doesn’t believe in letting people get away with things like infidelity or lying. She doesn’t believe in turning the other cheek or forgiveness. She realizes there is something missing in her, something different.

Her father is a reasonably famous author, and her mother an academic. Their household was a free-for-all of revolving parties with artists, writers, friends, and lovers of both her parents coming and going throughout her whole childhood. She was mostly left to her own devices, and when one young man took an interest in the thirteen year old with the flaming red hair and the long thin legs,...well...he annoyed her.

”I’d been waiting for two things since killing Chet. Waiting to get caught and waiting to feel bad. Neither had happened yet, and I knew that neither would.”

Now, it may seem like she is just a random stranger with a morbid sense of morality, but as the plot thickens we discover why Lily has taken an interest in Ted’s shattered marriage.

The chapters alternate between characters. We are allowed to see things from their perspectives and what is missing in one chapter can be revealed in the next. It all begins to really heat up when police officer Henry Kimball can’t let go of a hunch and begins to follow Lily. He adores her father’s writing, and after interviewing her a couple of times he is half in love with her, but dribs and drabs of loose ends from their conversations continue to nag at his consciousness. 2+2=3.75

There is a funny scene that I have to share that made me laugh because it reminded me of myself. Lily’s father has very distinct views of the ocean. ”He said it was like looking at death…. I love the beach, everything except the fucking sand, the fucking sun, and the fucking water.” Okay, it made me chuckle again writing it because it is so sacrosanct for anyone to ever say anything remotely negative about the ocean because everyone is so IN LOVE with water. I enjoy looking at the water. I can understand the attraction, but for me it is something to look at briefly and then move on to something more interesting. I have never really trusted large bodies of water. I wouldn’t say I’m suffering from Thalassophobia, but certainly I don’t feel the need to join the masses in venerating the ocean. I prefer solid terra firma under my feet... all the time... besides the water is such a slurry sludge pit of god knows what.

Killers become victims...victims become killers. Yet again Peter Swanson has delivered a neo-noir thriller that reminds me of some of the best of James Cain. There are twists and turns enough to leave your legs corkscrewed together by the time you reach the final page.

I also enjoyed his first book. The Girl with a Clock for a Heart Review

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